Journeys to the New World: Hispanic Sacred Music from the 16th & 17th Centuries
View record and artist detailsRecord and Artist Details
Genre:
Vocal
Label: Signum Classics
Magazine Review Date: AW20
Media Format: CD or Download
Media Runtime: 66
Mastering:
DDD
Catalogue Number: SIGCD626
Tracks:
Composition | Artist Credit |
---|---|
Regina caeli (a 6) |
Cristóbal de Morales, Composer
The Queen's Six |
Salve Regina a 5 |
Hernando Franco, Composer
The Queen's Six |
Vidi speciosam |
Tomás Luis de Victoria, Composer
The Queen's Six |
Trahe me post te |
Francisco Guerrero, Composer
The Queen's Six |
Versa est in luctum |
Alonso Lobo, Composer
The Queen's Six |
Circumdederunt me |
Juan Guitiérrez de Padilla, Composer
The Queen's Six |
In horrore visionis |
Francisco López Capillas, Composer
The Queen's Six |
Tantum ergo |
Francisco López Capillas, Composer
The Queen's Six |
O quam suavis est, Domine |
Alonso Lobo, Composer
The Queen's Six |
Christus factus est |
Hernando Franco, Composer
The Queen's Six |
O sacrum convivium |
Cristóbal de Morales, Composer
The Queen's Six |
O quam gloriosum |
Tomás Luis de Victoria, Composer
The Queen's Six |
Beatus Achacius |
Francisco Guerrero, Composer
The Queen's Six |
Laudate Dominum |
Miguel Mateo de Dallo y Lana, Composer
The Queen's Six |
Author: Alexandra Coghlan
Latin American Baroque music is now a well-trodden path but 16th-century repertoire from the New World is still largely terra incognita. Back in the 1990s The Hilliard Ensemble sent us a musical postcard (‘Spain & the New World’ – Virgin/Erato, 4/92, 11/97) and before that James O’Donnell and the Westminster Cathedral Choir explored the rich colours of Mexico (‘Masterpieces of Mexican Polyphony’ – Hyperion, 12/90), but beyond that glimpses are few. Now The Queen’s Six add their impressions to the picture with ‘Journeys to the New World’ – sacred works that take us from Avila, Seville and Toledo to Mexico City, Guatemala and Puebla.
It’s a lovely selection of motets, luring listeners in with the familiar – Alonso Lobo’s Versa est in luctum, Victoria’s O quam gloriosum and Guerrero’s exquisite Trahe me post te – before venturing further from the path in works by Hernando Franco, Francisco López Capillas and Miguel Matheo de Dallo y Lana. There’s an easy ebb and flow to the group’s delivery, phrasing softening the sterner contours of Franco’s alternatim Salve regina with its sober opening and monumental climax and filling out the lean outlines of López’s disquieting In horrore visionis, alto lines grasping upwards like hands out of the darkness in this nightmare vision from the Book of Job.
The singers are at their best though in more sumptuous settings – the lingering suspensions of Lobo’s Versa est in luctum (set here against Padilla’s setting of the same text, more affirmative, less yearning) as well as Morales’s glowing, six-voice Regina caeli. Moments of light and energy set so much intricate musical carving into relief, offered by López’s triple-time Tantum ergo, imitative voices pealing like bells, and (from the later end of the disc’s time-period) Dallo y Lana’s lively Laudate Dominum, glancing ahead to the 18th century in its harmonies.
Sensitive and well-balanced, alert to textural variety and anchored by a spacious bass line, this is superb singing. The grainy alto tone won’t be to everyone’s taste but it’s the only grit in this haul of gold from the New World.
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