Journeys to the New World: Hispanic Sacred Music from the 16th & 17th Centuries

Record and Artist Details

Genre:

Vocal

Label: Signum Classics

Media Format: CD or Download

Media Runtime: 66

Mastering:

DDD

Catalogue Number: SIGCD626

SIGCD626. Journeys to the New World: Hispanic Sacred Music from the 16th & 17th Centuries

Tracks:

Composition Artist Credit
Regina caeli (a 6) Cristóbal de Morales, Composer
The Queen's Six
Salve Regina a 5 Hernando Franco, Composer
The Queen's Six
Vidi speciosam Tomás Luis de Victoria, Composer
The Queen's Six
Trahe me post te Francisco Guerrero, Composer
The Queen's Six
Versa est in luctum Alonso Lobo, Composer
The Queen's Six
Circumdederunt me Juan Guitiérrez de Padilla, Composer
The Queen's Six
In horrore visionis Francisco López Capillas, Composer
The Queen's Six
Tantum ergo Francisco López Capillas, Composer
The Queen's Six
O quam suavis est, Domine Alonso Lobo, Composer
The Queen's Six
Christus factus est Hernando Franco, Composer
The Queen's Six
O sacrum convivium Cristóbal de Morales, Composer
The Queen's Six
O quam gloriosum Tomás Luis de Victoria, Composer
The Queen's Six
Beatus Achacius Francisco Guerrero, Composer
The Queen's Six
Laudate Dominum Miguel Mateo de Dallo y Lana, Composer
The Queen's Six

Latin American Baroque music is now a well-trodden path but 16th-century repertoire from the New World is still largely terra incognita. Back in the 1990s The Hilliard Ensemble sent us a musical postcard (‘Spain & the New World’ – Virgin/Erato, 4/92, 11/97) and before that James O’Donnell and the Westminster Cathedral Choir explored the rich colours of Mexico (‘Masterpieces of Mexican Polyphony’ – Hyperion, 12/90), but beyond that glimpses are few. Now The Queen’s Six add their impressions to the picture with ‘Journeys to the New World’ – sacred works that take us from Avila, Seville and Toledo to Mexico City, Guatemala and Puebla.

It’s a lovely selection of motets, luring listeners in with the familiar – Alonso Lobo’s Versa est in luctum, Victoria’s O quam gloriosum and Guerrero’s exquisite Trahe me post te – before venturing further from the path in works by Hernando Franco, Francisco López Capillas and Miguel Matheo de Dallo y Lana. There’s an easy ebb and flow to the group’s delivery, phrasing softening the sterner contours of Franco’s alternatim Salve regina with its sober opening and monumental climax and filling out the lean outlines of López’s disquieting In horrore visionis, alto lines grasping upwards like hands out of the darkness in this nightmare vision from the Book of Job.

The singers are at their best though in more sumptuous settings – the lingering suspensions of Lobo’s Versa est in luctum (set here against Padilla’s setting of the same text, more affirmative, less yearning) as well as Morales’s glowing, six-voice Regina caeli. Moments of light and energy set so much intricate musical carving into relief, offered by López’s triple-time Tantum ergo, imitative voices pealing like bells, and (from the later end of the disc’s time-period) Dallo y Lana’s lively Laudate Dominum, glancing ahead to the 18th century in its harmonies.

Sensitive and well-balanced, alert to textural variety and anchored by a spacious bass line, this is superb singing. The grainy alto tone won’t be to everyone’s taste but it’s the only grit in this haul of gold from the New World.

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