Jiří Vodička: Violin Solo
View record and artist detailsRecord and Artist Details
Composer or Director: Nicolò Paganini, Heinrich Wilhelm Ernst, Eugène (Auguste) Ysaÿe, Fritz Kreisler, Roman Haas, Johann Sebastian Bach
Genre:
Instrumental
Label: Supraphon
Magazine Review Date: 01/2015
Media Format: CD or Download
Media Runtime: 61
Mastering:
DDD
Catalogue Number: SU4175-2
Tracks:
Composition | Artist Credit |
---|---|
(3) Sonatas and 3 Partitas, Movement: Partita No. 3 in E, BWV1006 |
Johann Sebastian Bach, Composer
Jiří Vodička, Violin Johann Sebastian Bach, Composer |
(Le) Roi des aulnes (after Schubert's Der Erlkön |
Heinrich Wilhelm Ernst, Composer
Heinrich Wilhelm Ernst, Composer Jiří Vodička, Violin |
Short Variations on a Theme of Paganini |
Roman Haas, Composer
Jiří Vodička, Violin Roman Haas, Composer |
Recitative and scherzo-caprice |
Fritz Kreisler, Composer
Fritz Kreisler, Composer Jiří Vodička, Violin |
(24) Caprices, Movement: No. 15 in E minor |
Nicolò Paganini, Composer
Jiří Vodička, Violin Nicolò Paganini, Composer |
(24) Caprices, Movement: No. 24 in A minor |
Nicolò Paganini, Composer
Jiří Vodička, Violin Nicolò Paganini, Composer |
(24) Caprices, Movement: No. 5 in A minor |
Nicolò Paganini, Composer
Jiří Vodička, Violin Nicolò Paganini, Composer |
Introduction and Variations on 'Nel cor più non mi sento' from Paisiello's 'La molinara' |
Nicolò Paganini, Composer
Jiří Vodička, Violin Nicolò Paganini, Composer |
(6) Sonatas for Solo Violin, Movement: No. 3 in D minor (Ballade) |
Eugène (Auguste) Ysaÿe, Composer
Eugène (Auguste) Ysaÿe, Composer Jiří Vodička, Violin |
Author: Caroline Gill
As can often be the case with discs made primarily for virtuoso effect and the white-knuckle ride of listening to it, it has been recorded closely, with a resulting sound that becomes relentless quickly. That is more of a shame with this performance than it might be with others, as this is the sort of recital disc whose attention to detail and technical polish has the strength to bear minutely close examination on complete listenings.
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