JACKSON Airplane Cantata. Choral Symphony
View record and artist detailsRecord and Artist Details
Composer or Director: Gabriel Jackson, David Hill
Genre:
Vocal
Label: Signum Classics
Magazine Review Date: 10/2014
Media Format: CD or Download
Media Runtime: 68
Mastering:
DDD
Catalogue Number: SIGCD381
Tracks:
Composition | Artist Credit |
---|---|
The Voice of the Bard |
Gabriel Jackson, Composer
BBC Singers Christopher Bowen, Tenor David Hill, Composer Gabriel Jackson, Composer Lynette Alcantara, Mezzo soprano Olivia Robinson, Soprano Stephen Charlesworth, Bass |
Ruchill Linn |
Gabriel Jackson, Composer
BBC Singers David Hill, Composer Gabriel Jackson, Composer |
Airplane Cantata |
Gabriel Jackson, Composer
BBC Singers Charles Gibbs, Speaker Gabriel Jackson, Composer James Morgan, Conductor Rex Lawson, Pianola Stephen Jeffes, Tenor |
Winter Heavens |
Gabriel Jackson, Composer
BBC Singers David Hill, Composer Gabriel Jackson, Composer |
Choral Symphony |
Gabriel Jackson, Composer
Alison Smart, Soprano BBC Singers Christopher Bowen, Tenor David Hill, Composer Elizabeth Poole, Soprano Emma Tring, Soprano Gabriel Jackson, Composer Margaret Cameron, Mezzo soprano Stephen Charlesworth, Baritone |
Author: Marc Rochester
As technically challenging and vividly exhibitionist as The Voice of the Bard and recorded on the same occasion (in 2011 in St Paul’s Church Knightsbridge; the other tracks were recorded between 2013 and 2014 in Maida Vale studios), Ruchill Linn is a setting of words by Robin Bell evoking his native Perthshire. With the whole choir imitating the call of a curlew and the sopranos cascading to depict a waterfall, this is full of blatantly picturesque imagery, yet Jackson’s wonderfully rich tapestry of choral textures makes it all musically convincing.
The two major works on the disc are the Choral Symphony, Jackson’s homage both to the city of London and to the BBC Singers, who deliver its often monumental technical challenges with impressive self-assurance, and the Airplane Cantata, in which the singers are joined by a pianola (chosen, it would seem, since the rise of the pianola coincided with the development of powered flight which the text celebrates). Rex Lawson is an apt partner for the crisply precise choral singing James Morgan draws from his singers. Whether Jackson uses this material as anything more than an excuse to put the singers through a series of daunting technical hoops is open to question; but, with such luminous diction and an enchanting collective buoyancy, the sound of the BBC Singers here is, in itself, something not to be missed.
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