Invitation to the Seraglio
Well, if you’re thinking of Turkey for Christmas…
View record and artist detailsRecord and Artist Details
Composer or Director: Modest Mussorgsky, Gioachino Rossini, W P R Cope, Herman (Louis) Koenig, Charles Louis Napoléon d' Albert, William Smallwood, Ida Saide, Emre Araci, , Abdülaziz (Sultan), Luigi Arditi, Callisto Guatelli, Henry William Goodban, Gaetano Donizetti, Rifat Bey, Giuseppe Donizetti
Genre:
Orchestral
Label: Warner Classics
Magazine Review Date: 10/2004
Media Format: CD or Download
Media Runtime: 78
Mastering:
Stereo
DDD
Catalogue Number: 2564 61472-2

Tracks:
Composition | Artist Credit |
---|---|
March in C, 'Pas-redoublé' |
Gioachino Rossini, Composer
Emre Araci, Conductor Gioachino Rossini, Composer London Academy of Ottoman Court Music |
(The) Sultan's Polka |
Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Constantinople Quadrille, Movement: (The) Dardanelles |
Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Constantinople Quadrille, Movement: Besika Bay |
Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Constantinople Quadrille, Movement: Adrianople |
Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Constantinople Quadrille, Movement: Shumla |
Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Constantinople Quadrille, Movement: Constantinople |
Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
(The) War Galop |
Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
(La) Gondole barcarolle |
, Abdülaziz (Sultan), Composer
, Abdülaziz (Sultan), Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Invitation à la valse |
, Abdülaziz (Sultan), Composer
, Abdülaziz (Sultan), Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
(The) Turkish Ambassador's Grand March |
W P R Cope, Composer
Emre Araci, Conductor London Academy of Ottoman Court Music W P R Cope, Composer |
Aziziye March |
Callisto Guatelli, Composer
Callisto Guatelli, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Osmaniye March |
Callisto Guatelli, Composer
Callisto Guatelli, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
Marche de l'Exposition Ottomane |
Callisto Guatelli, Composer
Callisto Guatelli, Composer Emre Araci, Conductor London Academy of Ottoman Court Music |
(The) City of the Sultan Polka |
Herman (Louis) Koenig, Composer
Emre Araci, Conductor Herman (Louis) Koenig, Composer London Academy of Ottoman Court Music |
(The) Turkish War March |
William Smallwood, Composer
Emre Araci, Conductor London Academy of Ottoman Court Music William Smallwood, Composer |
On the southern shore of the Crimea, Movement: Capriccio: near the Southern Shore of the Crimea |
Modest Mussorgsky, Composer
Emre Araci, Conductor London Academy of Ottoman Court Music Modest Mussorgsky, Composer |
Gran marcia militare imperiale, for the Sultan of Turkey |
Gaetano Donizetti, Composer
Emre Araci, Conductor Gaetano Donizetti, Composer London Academy of Ottoman Court Music |
Mecidiye March |
Giuseppe Donizetti, Composer
Emre Araci, Conductor Giuseppe Donizetti, Composer London Academy of Ottoman Court Music |
Inno turco |
Luigi Arditi, Composer
Emre Araci, Conductor London Academy of Ottoman Court Music Luigi Arditi, Composer |
(The) Omar Pacha Waltzes |
Henry William Goodban, Composer
Emre Araci, Conductor Henry William Goodban, Composer London Academy of Ottoman Court Music |
Prière pour S M le Sultan Mourad |
Rifat Bey, Composer
Emre Araci, Conductor London Academy of Ottoman Court Music Rifat Bey, Composer |
(5) Marches militaires pour piano, Movement: Tchitaté |
Ida Saide, Composer
Emre Araci, Conductor Ida Saide, Composer London Academy of Ottoman Court Music |
(5) Marches militaires pour piano, Movement: Silistre |
Ida Saide, Composer
Emre Araci, Conductor Ida Saide, Composer London Academy of Ottoman Court Music |
Composer or Director: Zurnazen Ibrahim Aga, Tatar Han Gazi Giray, Traditional, Christoph Gluck, Anonymous, Wolfgang Amadeus Mozart, Franz Xaver Süssmayr, Joseph Martin Kraus
Label: Deutsche Grammophon
Magazine Review Date: 10/2004
Media Format: Super Audio CD
Media Runtime: 66
Mastering:
Stereo
Catalogue Number: 474 992-2ASA

Tracks:
Composition | Artist Credit |
---|---|
(Die) Entführung aus dem Serail, '(The) Abduction from the Seraglio', Movement: Overture |
Wolfgang Amadeus Mozart, Composer
Concerto Köln Sarband Werner Ehrhardt, Conductor Wolfgang Amadeus Mozart, Composer |
Soliman II or The Three Sultanas, Movement: Allegro |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Sarband Werner Ehrhardt, Conductor |
Soliman II or The Three Sultanas, Movement: Marcia degli Schiavi |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Werner Ehrhardt, Conductor |
Soliman II or The Three Sultanas, Movement: Marcia del Sultano |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Sarband Werner Ehrhardt, Conductor |
Soliman II or The Three Sultanas, Movement: Danza di Elmira |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Sarband Werner Ehrhardt, Conductor |
Soliman II or The Three Sultanas, Movement: Marcia dei Giannizzari |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Sarband Werner Ehrhardt, Conductor |
Soliman II or The Three Sultanas, Movement: Marcia di Roxelana |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Werner Ehrhardt, Conductor |
Soliman II or The Three Sultanas, Movement: La Coronazione |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Werner Ehrhardt, Conductor |
Soliman II or The Three Sultanas, Movement: Marcia dei Dervisci |
Joseph Martin Kraus, Composer
Concerto Köln Joseph Martin Kraus, Composer Werner Ehrhardt, Conductor |
Sinfonia 'Turchesca' |
Franz Xaver Süssmayr, Composer
Concerto Köln Franz Xaver Süssmayr, Composer Sarband Werner Ehrhardt, Conductor |
(La) Rencontre imprévue, Movement: Overture |
Christoph Gluck, Composer
Christoph Gluck, Composer Concerto Köln Sarband Werner Ehrhardt, Conductor |
Concerto turco nominato "Izia semaisi" |
Anonymous, Composer
Anonymous, Composer Concerto Köln Sarband Werner Ehrhardt, Conductor |
Son yürük sema'i |
Traditional, Composer
Sarband Traditional, Composer Vladimir Ivanoff, Conductor |
March of the Soldiers |
Zurnazen Ibrahim Aga, Composer
Sarband Vladimir Ivanoff, Conductor Zurnazen Ibrahim Aga, Composer |
March of the Janissaries |
Tatar Han Gazi Giray, Composer
Concerto Köln Sarband Tatar Han Gazi Giray, Composer Werner Ehrhardt, Conductor |
Entrance of the Sultan |
Anonymous, Composer
Anonymous, Composer Sarband Vladimir Ivanoff, Conductor |
Pilgrim Hymn on the journey to Mecca |
Traditional, Composer
Sarband Traditional, Composer Vladimir Ivanoff, Conductor |
Song of the dervishes |
Traditional, Composer
Sarband Traditional, Composer Vladimir Ivanoff, Conductor |
Author: bwitherden
What intrigues me is how European most of the compositions by Turkish musicians sound. There could be several reasons for this: the effect of cultural colonisation (relatively unlikely, as the Ottomans were hardly submissive victims of European expansionism); political astuteness (showing that Ottoman culture could provide effective dance, military and salon music on European terms); or mere fashion, a taste for the exotic Occident. The last of these was certainly a factor, with the Sultan importing Italian music for his army bands in the 1830s. As for traffic in the opposite direction, it was often restricted to the use of janizary percussion.
It is, then, not easy to distinguish pieces written by Europeans like Guatelli and Donizetti from those by Turks such as Sultan Abdulaziz. Ida (Saide) muddies the waters further by being a Hungarian educated in Vienna and ‘naturalised’ as a Turk. Emre Araci and the LAOCM tackle all-comers with lightfooted ease, never letting us forget that much of this was music for movement. They produce a bright, precise, attractive sound, and are well served by the recording, which is transparent and detailed. This is the sort of thing that gets light music a good name.
On ‘Dream of the Orient’ we still get some agile Turkish-tinged orchestral pieces written by European composers, including the aforementioned Wolfie, but Concerto Köln is joined by Sarband, a seven-piece group playing pukka janizary and other ‘ethnic’ instruments. They nicely beef up the percussion on the orchestral pieces and have a few outings in their own right. On Turkish pieces, attributed or traditional, the effect is frequently magical, not least on the ravishing Izia Semaisi and Son yürük sema’I.
If you’re one of those people thinking about Christmas presents already, you might want to pop out and buy these albums now.
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