Invitation to the Seraglio

Well, if you’re thinking of Turkey for Christmas…

Record and Artist Details

Composer or Director: Modest Mussorgsky, Gioachino Rossini, W P R Cope, Herman (Louis) Koenig, Charles Louis Napoléon d' Albert, William Smallwood, Ida Saide, Emre Araci, , Abdülaziz (Sultan), Luigi Arditi, Callisto Guatelli, Henry William Goodban, Gaetano Donizetti, Rifat Bey, Giuseppe Donizetti

Genre:

Orchestral

Label: Warner Classics

Media Format: CD or Download

Media Runtime: 78

Mastering:

Stereo
DDD

Catalogue Number: 2564 61472-2

Tracks:

Composition Artist Credit
March in C, 'Pas-redoublé' Gioachino Rossini, Composer
Emre Araci, Conductor
Gioachino Rossini, Composer
London Academy of Ottoman Court Music
(The) Sultan's Polka Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Constantinople Quadrille, Movement: (The) Dardanelles Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Constantinople Quadrille, Movement: Besika Bay Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Constantinople Quadrille, Movement: Adrianople Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Constantinople Quadrille, Movement: Shumla Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Constantinople Quadrille, Movement: Constantinople Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
(The) War Galop Charles Louis Napoléon d' Albert, Composer
Charles Louis Napoléon d' Albert, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
(La) Gondole barcarolle , Abdülaziz (Sultan), Composer
, Abdülaziz (Sultan), Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Invitation à la valse , Abdülaziz (Sultan), Composer
, Abdülaziz (Sultan), Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
(The) Turkish Ambassador's Grand March W P R Cope, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
W P R Cope, Composer
Aziziye March Callisto Guatelli, Composer
Callisto Guatelli, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Osmaniye March Callisto Guatelli, Composer
Callisto Guatelli, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Marche de l'Exposition Ottomane Callisto Guatelli, Composer
Callisto Guatelli, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
(The) City of the Sultan Polka Herman (Louis) Koenig, Composer
Emre Araci, Conductor
Herman (Louis) Koenig, Composer
London Academy of Ottoman Court Music
(The) Turkish War March William Smallwood, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
William Smallwood, Composer
On the southern shore of the Crimea, Movement: Capriccio: near the Southern Shore of the Crimea Modest Mussorgsky, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Modest Mussorgsky, Composer
Gran marcia militare imperiale, for the Sultan of Turkey Gaetano Donizetti, Composer
Emre Araci, Conductor
Gaetano Donizetti, Composer
London Academy of Ottoman Court Music
Mecidiye March Giuseppe Donizetti, Composer
Emre Araci, Conductor
Giuseppe Donizetti, Composer
London Academy of Ottoman Court Music
Inno turco Luigi Arditi, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Luigi Arditi, Composer
(The) Omar Pacha Waltzes Henry William Goodban, Composer
Emre Araci, Conductor
Henry William Goodban, Composer
London Academy of Ottoman Court Music
Prière pour S M le Sultan Mourad Rifat Bey, Composer
Emre Araci, Conductor
London Academy of Ottoman Court Music
Rifat Bey, Composer
(5) Marches militaires pour piano, Movement: Tchitaté Ida Saide, Composer
Emre Araci, Conductor
Ida Saide, Composer
London Academy of Ottoman Court Music
(5) Marches militaires pour piano, Movement: Silistre Ida Saide, Composer
Emre Araci, Conductor
Ida Saide, Composer
London Academy of Ottoman Court Music

Composer or Director: Zurnazen Ibrahim Aga, Tatar Han Gazi Giray, Traditional, Christoph Gluck, Anonymous, Wolfgang Amadeus Mozart, Franz Xaver Süssmayr, Joseph Martin Kraus

Label: Deutsche Grammophon

Media Format: Super Audio CD

Media Runtime: 66

Mastering:

Stereo

Catalogue Number: 474 992-2ASA

Tracks:

Composition Artist Credit
(Die) Entführung aus dem Serail, '(The) Abduction from the Seraglio', Movement: Overture Wolfgang Amadeus Mozart, Composer
Concerto Köln
Sarband
Werner Ehrhardt, Conductor
Wolfgang Amadeus Mozart, Composer
Soliman II or The Three Sultanas, Movement: Allegro Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Sarband
Werner Ehrhardt, Conductor
Soliman II or The Three Sultanas, Movement: Marcia degli Schiavi Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Werner Ehrhardt, Conductor
Soliman II or The Three Sultanas, Movement: Marcia del Sultano Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Sarband
Werner Ehrhardt, Conductor
Soliman II or The Three Sultanas, Movement: Danza di Elmira Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Sarband
Werner Ehrhardt, Conductor
Soliman II or The Three Sultanas, Movement: Marcia dei Giannizzari Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Sarband
Werner Ehrhardt, Conductor
Soliman II or The Three Sultanas, Movement: Marcia di Roxelana Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Werner Ehrhardt, Conductor
Soliman II or The Three Sultanas, Movement: La Coronazione Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Werner Ehrhardt, Conductor
Soliman II or The Three Sultanas, Movement: Marcia dei Dervisci Joseph Martin Kraus, Composer
Concerto Köln
Joseph Martin Kraus, Composer
Werner Ehrhardt, Conductor
Sinfonia 'Turchesca' Franz Xaver Süssmayr, Composer
Concerto Köln
Franz Xaver Süssmayr, Composer
Sarband
Werner Ehrhardt, Conductor
(La) Rencontre imprévue, Movement: Overture Christoph Gluck, Composer
Christoph Gluck, Composer
Concerto Köln
Sarband
Werner Ehrhardt, Conductor
Concerto turco nominato "Izia semaisi" Anonymous, Composer
Anonymous, Composer
Concerto Köln
Sarband
Werner Ehrhardt, Conductor
Son yürük sema'i Traditional, Composer
Sarband
Traditional, Composer
Vladimir Ivanoff, Conductor
March of the Soldiers Zurnazen Ibrahim Aga, Composer
Sarband
Vladimir Ivanoff, Conductor
Zurnazen Ibrahim Aga, Composer
March of the Janissaries Tatar Han Gazi Giray, Composer
Concerto Köln
Sarband
Tatar Han Gazi Giray, Composer
Werner Ehrhardt, Conductor
Entrance of the Sultan Anonymous, Composer
Anonymous, Composer
Sarband
Vladimir Ivanoff, Conductor
Pilgrim Hymn on the journey to Mecca Traditional, Composer
Sarband
Traditional, Composer
Vladimir Ivanoff, Conductor
Song of the dervishes Traditional, Composer
Sarband
Traditional, Composer
Vladimir Ivanoff, Conductor
There was I, in a review of a CD called ‘East Meets West’ (Warner Classics, 8/04), citing Mozart’s flirtation with Turkish music as an example of how the classical/world music crossover fashion was nothing new, when along came these CDs in the next post. Very enjoyable they are, too.

What intrigues me is how European most of the compositions by Turkish musicians sound. There could be several reasons for this: the effect of cultural colonisation (relatively unlikely, as the Ottomans were hardly submissive victims of European expansionism); political astuteness (showing that Ottoman culture could provide effective dance, military and salon music on European terms); or mere fashion, a taste for the exotic Occident. The last of these was certainly a factor, with the Sultan importing Italian music for his army bands in the 1830s. As for traffic in the opposite direction, it was often restricted to the use of janizary percussion.

It is, then, not easy to distinguish pieces written by Europeans like Guatelli and Donizetti from those by Turks such as Sultan Abdulaziz. Ida (Saide) muddies the waters further by being a Hungarian educated in Vienna and ‘naturalised’ as a Turk. Emre Araci and the LAOCM tackle all-comers with lightfooted ease, never letting us forget that much of this was music for movement. They produce a bright, precise, attractive sound, and are well served by the recording, which is transparent and detailed. This is the sort of thing that gets light music a good name.

On ‘Dream of the Orient’ we still get some agile Turkish-tinged orchestral pieces written by European composers, including the aforementioned Wolfie, but Concerto Köln is joined by Sarband, a seven-piece group playing pukka janizary and other ‘ethnic’ instruments. They nicely beef up the percussion on the orchestral pieces and have a few outings in their own right. On Turkish pieces, attributed or traditional, the effect is frequently magical, not least on the ravishing Izia Semaisi and Son yürük sema’I.

If you’re one of those people thinking about Christmas presents already, you might want to pop out and buy these albums now.

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