Imogen Cooper: Iberia y Francia
View record and artist detailsRecord and Artist Details
Composer or Director: Federico Mompou, Manuel de Falla, Claude Debussy, Isaac Albéniz, Maurice Ravel
Genre:
Instrumental
Label: Chandos
Magazine Review Date: 10/2019
Media Format: CD or Download
Media Runtime: 77
Mastering:
DDD
Catalogue Number: CHAN20119
Tracks:
Composition | Artist Credit |
---|---|
Pavane pour une infante défunte |
Maurice Ravel, Composer
Imogen Cooper, Piano Maurice Ravel, Composer |
Miroirs, Movement: Alborada del gracioso |
Maurice Ravel, Composer
Maurice Ravel, Composer |
Homenaje, '(Le) tombeau de Claude Debussy' |
Manuel de Falla, Composer
Imogen Cooper, Piano Manuel de Falla, Composer |
(3) Estampes, Movement: Soirée dans Grenade |
Claude Debussy, Composer
Claude Debussy, Composer Imogen Cooper, Piano |
(24) Préludes, Movement: La puerta del Vino |
Claude Debussy, Composer
Claude Debussy, Composer Imogen Cooper, Piano |
(24) Préludes, Movement: La sérénade interrompué |
Claude Debussy, Composer
Claude Debussy, Composer |
Iberia, Movement: El Albaicín |
Isaac Albéniz, Composer
Imogen Cooper, Piano Isaac Albéniz, Composer |
Iberia, Movement: Evocación |
Isaac Albéniz, Composer
Imogen Cooper, Piano Isaac Albéniz, Composer |
Iberia, Movement: El puerto |
Isaac Albéniz, Composer
Imogen Cooper, Piano Isaac Albéniz, Composer |
Iberia, Movement: El Corpus en Sevilla |
Isaac Albéniz, Composer
Isaac Albéniz, Composer |
Cançons i danses, Movement: Cançó: Quan jo era petitet; Dansa: original (1 |
Federico Mompou, Composer
Federico Mompou, Composer Imogen Cooper, Piano |
(L') Isle joyeuse |
Claude Debussy, Composer
Claude Debussy, Composer Imogen Cooper, Piano |
Recuerdos de viaje, Movement: Rumores de la caleta : Malagueña |
Isaac Albéniz, Composer
Isaac Albéniz, Composer |
Cançons i danses, Movement: No 6 |
Federico Mompou, Composer
Federico Mompou, Composer Imogen Cooper, Piano |
Author: Patrick Rucker
But first we’ll linger a while with Debussy himself, who never made more than a day trip into Spain. Debussy’s imagined Iberia, fed by the Parisian evocations of Massenet, Bizet and Charbrier and, more directly, by his friends Albéniz and Falla, stokes our anticipation. Listening to ‘La soirée dans Grenade’, ‘La puerta del vino’, ‘La sérénade interrompue’ and, later in the programme, L’isle joyeuse, it is difficult to imagine Debussy-playing more personal, suggestive or voluptuous. Cooper has lived with this music long and well. Tempting as it might be to declare these thoroughly individual interpretations the highlight of the album, Albéniz is yet to come.
When an artist seems to reign supreme in a particular repertory, as indeed Alicia de Laroccha did in Albéniz for most of my lifetime, alternative points of view can strike as pedestrian. Not here: Cooper gives us an Albéniz entirely her own, all the more vivid perhaps for its vantage from the outside looking in. Piquant, understated, with a sultry heat that smoulders rather than bursting into flame, these are compelling performances informed by the palette of Goya and undergirded with an inerrantly zesty rhythmic élan. An evening stroll through the Arab Quarter of Granada in ‘El Albaicín’ feels a little dangerous and very sexy. The clattering castanets and strumming guitars of ‘El puerto’ gradually give way to the approaching Corpus Christi procession in Seville, teeming with the faithful and a religious fervour only a few degrees from madness. In these selections from Iberia, as well as in ‘Rumores de la caleta’ from the earlier Recuerdos de viaje, for every secret divulged, others remain mysteries. Cooling transition on the return voyage is entrusted to the subtleties of Mompou, whose mother, we recall, was French.
For some bottom-line terrific piano playing and programming that inflames the imagination, I suggest you set your internal default to luxe, calme et volupté and prepare for departure. A wonderful journey awaits.
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