Il Tesoro di San Gennaro
Florio dusts down scores from Naples’s San Gennaro chapel
View record and artist detailsRecord and Artist Details
Composer or Director: Gaetano Veneziano, Cristofaro Caresana, Domenico Scarlatti, Nicola Fago
Label: Calig
Magazine Review Date: 05/2013
Mastering:
Stereo
DDD
Catalogue Number: GCD922605

Tracks:
Composition | Artist Credit |
---|---|
(17) Sinfonias, Movement: C |
Domenico Scarlatti, Composer
(I) Turchini Antonio Florio, Conductor Domenico Scarlatti, Composer Filippo Mineccia, Singer, Countertenor Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Canzona a 4 |
Cristofaro Caresana, Composer
(I) Turchini Antonio Florio, Conductor Cristofaro Caresana, Composer Filippo Mineccia, Singer, Countertenor Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Confitebor a 3 with violin |
Nicola Fago, Composer
(I) Turchini Antonio Florio, Conductor Filippo Mineccia, Singer, Countertenor Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Nicola Fago, Composer Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Stabat Mater |
Nicola Fago, Composer
(I) Turchini Antonio Florio, Conductor Filippo Mineccia, Singer, Countertenor Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Nicola Fago, Composer Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
(17) Sinfonias, Movement: D |
Domenico Scarlatti, Composer
(I) Turchini Antonio Florio, Conductor Domenico Scarlatti, Composer Filippo Mineccia, Singer, Countertenor Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Antra valles |
Domenico Scarlatti, Composer
(I) Turchini Antonio Florio, Conductor Domenico Scarlatti, Composer Filippo Mineccia, Singer, Countertenor Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Jam sol recedit |
Gaetano Veneziano, Composer
(I) Turchini Antonio Florio, Conductor Filippo Mineccia, Singer, Countertenor Gaetano Veneziano, Composer Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Iste confessor |
Gaetano Veneziano, Composer
(I) Turchini Antonio Florio, Conductor Filippo Mineccia, Singer, Countertenor Gaetano Veneziano, Composer Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
(17) Sinfonias, Movement: G |
Domenico Scarlatti, Composer
(I) Turchini Antonio Florio, Conductor Domenico Scarlatti, Composer Filippo Mineccia, Singer, Countertenor Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Ave Maris Stella |
Gaetano Veneziano, Composer
(I) Turchini Antonio Florio, Conductor Filippo Mineccia, Singer, Countertenor Gaetano Veneziano, Composer Guiseppe Naviglio, Singer, Bass Leslie Visco, Singer, Soprano Pino De Vittorio, Singer, Tenor Rosario Totaro, Singer, Tenor Valentina Varriale, Singer, Soprano |
Author: Richard Wigmore
Directed with verve and stylistic understanding by Antonio Florio, singers and players enliven all the music on this disc. Violins spar ebulliently in the Scarlatti sinfonias. In two solo motets by Gaetano Veneziano, Pino De Vittorio’s raw, earthy tenor might take some getting used to, though he compensates for a lack of tonal allure with his fervent directness of declamation. With their chaste, ‘instrumental’ timbre, the two nimble sopranos impress in their solos in Antra valles, as does countertenor Filippo Mineccia in the gravely reflective ‘In corde suo fido’ from the same Scarlatti motet. In the ensembles you sense the soloists responding eagerly to each other’s phrasing and balancing their contrapuntal lines, always underpinned by a rhythmically lively continuo bass. With most of the works otherwise unavailable, this can be enthusiastically recommended to anyone curious to venture beyond the handful of Italian sacred Baroque favourites.
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