Holst Planets; Vaughan Williams Fantasias
Two uncompetitive Planets‚ Boult’s Vienna version for completists only
View record and artist detailsRecord and Artist Details
Composer or Director: Ralph Vaughan Williams, Gustav Holst
Genre:
Orchestral
Label: Westminster The Legacy
Magazine Review Date: 3/2002
Media Format: CD or Download
Media Runtime: 71
Mastering:
Stereo
DDD
Catalogue Number: 471 240-2GWM

Tracks:
Composition | Artist Credit |
---|---|
(The) Planets |
Gustav Holst, Composer
Adrian Boult, Conductor Gustav Holst, Composer Vienna Academy Chamber Choir Vienna State Opera Orchestra |
Fantasia on 'Greensleeves' |
Ralph Vaughan Williams, Composer
Adrian Boult, Conductor Ralph Vaughan Williams, Composer Vienna State Opera Orchestra |
Fantasia on a Theme by Thomas Tallis |
Ralph Vaughan Williams, Composer
Adrian Boult, Conductor Ralph Vaughan Williams, Composer Vienna State Opera Orchestra |
Author: kYlzrO1BaC7A
I’d expected great things of Slatkin’s Planets when it first appeared at the tailend of 1997‚ but came away underwhelmed; sad to relate‚ a rehearing amply confirms my initial misgivings. Falling well short in terms of sheer menace‚ ‘Mars’ is delivered with a steely‚ selfconscious slickness that sets the tone for the remainder. ‘Venus’ is gorgeous but curiously uninvolving‚ ‘Jupiter’ lacks something in sheer swagger and exuberant panache (the big tune at its heart is perhaps just a fraction too stolidly paced)‚ and even the mischiefmaking antics of ‘Uranus’ fail to raise a chuckle. Ultimately‚ for all the impressive coordination on display‚ Slatkin’s performance is a bit too flashy and hardhearted for my liking. As captured within the comparatively unexpansive Walthamstow acoustic‚ the Philharmonia strings lack something in customary bloom. We also get an agreeably freshfaced Greensleeves Fantasia as well as an immaculately groomed‚ yet disconcertingly tinglefree account of the great Tallis Fantasia. Not an appealing proposition‚ then‚ even at superbudget price; for a bargain Planets‚ try Sir Andrew Davis’s superlatively engineered Apex reissue instead.
For the third of his five recordings of The Planets‚ dedicatee Sir Adrian Boult travelled to the Austrian capital. The results are a mixed bag‚ to say the very least: his conception remains as enviably lucid and undemonstrative as ever‚ but the Vienna State Opera Orchestra sounds less than ideally familiar with the idiom (how many of its members had previously encountered Holst’s masterpiece‚ I wonder?)‚ and ensemble and intonationproblems are distractingly legion. Discipline improves markedly for the fillups (which are identical to those on the Slatkin reissue)‚ but again there are occasions where these players seem less than entranced by the bill of fare (the Tallis Fantasia is‚ truth to tell‚ not without a certain sticky literalness). One or two odd balances apart‚ the engineering is pretty decent for its 1959 vintage. Boult diehards will probably want this disc; others should proceed with caution.
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