Grokhovsky Orchestral Works
Perky and pleasant performances of light but well-crafted mid-century Soviet music
View record and artist detailsRecord and Artist Details
Composer or Director: Vyacheslav Grokhovsky
Genre:
Orchestral
Label: Cameo
Magazine Review Date: 12/2002
Media Format: CD or Download
Media Runtime: 63
Mastering:
Stereo
DDD
Catalogue Number: CAMEO2016

Tracks:
Composition | Artist Credit |
---|---|
Russian Caprice |
Vyacheslav Grokhovsky, Composer
Moscow Radio Symphony Orchestra Valery Grokhovsky, Piano Vyacheslav Grokhovsky, Composer Vyacheslav Grokhovsky, Conductor |
(The) Enchanted Wanderer |
Vyacheslav Grokhovsky, Composer
Moscow Radio Symphony Orchestra Vyacheslav Grokhovsky, Composer Vyacheslav Grokhovsky, Conductor |
(3) Fairy Tales by Hans Andersen |
Vyacheslav Grokhovsky, Composer
Moscow Radio Symphony Orchestra Valery Grokhovsky, Piano Vyacheslav Grokhovsky, Composer Vyacheslav Grokhovsky, Conductor |
Gypsy Rhapsody |
Vyacheslav Grokhovsky, Composer
Moscow Radio Symphony Orchestra Vladimir Ivanov, Violin Vladimir Ivanov, Violin Vladimir Ivanov, Violin Vladimir Ivanov, Violin Vyacheslav Grokhovsky, Composer Vyacheslav Grokhovsky, Conductor |
Author: David Fanning
Born in Moscow in 1945, Vyacheslav Grokhovsky studied composition with Khachaturian and has had a number of his straightforward, well-crafted works recorded in Russia and the former Czechoslovakia. For anyone interested in the lighter side of Soviet music – pure entertainment, instant accessibility, references to familiar Russian repertoire, not a hint of irony – this disc should be just the thing.
The most rewarding piece, I would say, is the suite for piano and orchestra based on three Hans Christian Andersen fairy tales. Musically, this is a kind of appendix to Prokofiev’s Peter and the Wolf, though without the running commentary and, it has to be said, without the edge of inspiration. The Enchanted Wanderer, ‘a Quixotic story of the Russian people seen through the eyes of an illiterate sage,’ also has its charming moments. In the Russian Caprice and Gypsy Rhapsody the writing, though always easy on the ear, is rather less characterful.
Performances are nicely perky, the composer’s brother Valery evidently relishing the effective piano writing, and the 1996 Moscow recordings are perfectly serviceable. Campion’s booklet is only minimally informative, not even supplying dates for the individual works; but bravo for its enterprise in uncovering this by-way in the Soviet repertoire.
The most rewarding piece, I would say, is the suite for piano and orchestra based on three Hans Christian Andersen fairy tales. Musically, this is a kind of appendix to Prokofiev’s Peter and the Wolf, though without the running commentary and, it has to be said, without the edge of inspiration. The Enchanted Wanderer, ‘a Quixotic story of the Russian people seen through the eyes of an illiterate sage,’ also has its charming moments. In the Russian Caprice and Gypsy Rhapsody the writing, though always easy on the ear, is rather less characterful.
Performances are nicely perky, the composer’s brother Valery evidently relishing the effective piano writing, and the 1996 Moscow recordings are perfectly serviceable. Campion’s booklet is only minimally informative, not even supplying dates for the individual works; but bravo for its enterprise in uncovering this by-way in the Soviet repertoire.
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