Glynbourne Festival Opera - A Gala Evening

A starry night under summer sussex skies marks a pivotal moment in a great opera house’s history

Record and Artist Details

Composer or Director: George Gershwin, Claudio Monteverdi, Wolfgang Amadeus Mozart, Giuseppe Verdi, Gioachino Rossini, Richard Strauss, Benjamin Britten, Igor Stravinsky

Genre:

DVD

Label: Arthaus Musik

Media Format: Digital Versatile Disc

Media Runtime: 112

Mastering:

Stereo
DDD

Catalogue Number: 100 432

Tracks:

Composition Artist Credit
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Voi che sapete Wolfgang Amadeus Mozart, Composer
Frederica von Stade, Mezzo soprano
London Philharmonic Orchestra
Wolfgang Amadeus Mozart, Composer
Macbeth, Movement: Patria oppressa! Giuseppe Verdi, Composer
Giuseppe Verdi, Composer
Glyndebourne Chorus
Kim Begley, Tenor
London Philharmonic Orchestra
Macbeth, Movement: ~ Giuseppe Verdi, Composer
Giuseppe Verdi, Composer
Glyndebourne Chorus
Kim Begley, Tenor
London Philharmonic Orchestra
Otello, Movement: ~ Giuseppe Verdi, Composer
Giuseppe Verdi, Composer
London Philharmonic Orchestra
Montserrat Caballé, Soprano
Otello, Movement: Ave Maria Giuseppe Verdi, Composer
Giuseppe Verdi, Composer
London Philharmonic Orchestra
Montserrat Caballé, Soprano
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: ~ Gioachino Rossini, Composer
Frederica von Stade, Mezzo soprano
Gioachino Rossini, Composer
London Philharmonic Orchestra
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: La calunnia è un venticello Gioachino Rossini, Composer
Gioachino Rossini, Composer
London Philharmonic Orchestra
Ruggero Raimondi, Bass
(The) Rake's Progress, Movement: ~ Igor Stravinsky, Composer
Felicity Lott, Soprano
Glyndebourne Chorus
Igor Stravinsky, Composer
London Philharmonic Orchestra
(Il) Ritorno d'Ulisse in Patria, Movement: Illustratevi, o Cieli Claudio Monteverdi, Composer
Benjamin Luxon, Bass
Claudio Monteverdi, Composer
Frederica von Stade, Mezzo soprano
London Philharmonic Orchestra
Porgy and Bess, Movement: Summertime George Gershwin, Composer
Cynthia Haymon, Soprano
George Gershwin, Composer
London Philharmonic Orchestra
Peter Grimes, Movement: Interlude (Storm) Benjamin Britten, Composer
Benjamin Britten, Composer
London Philharmonic Orchestra
Capriccio, Movement: ~ Richard Strauss, Composer
Felicity Lott, Soprano
London Philharmonic Orchestra
Richard Strauss, Composer
Don Giovanni, Movement: Là ci darem la mano Wolfgang Amadeus Mozart, Composer
Cynthia Haymon, Soprano
London Philharmonic Orchestra
Ruggero Raimondi, Bass
Wolfgang Amadeus Mozart, Composer
Idomeneo, Re di Creta, 'Idomeneo, King of Crete', Movement: Nettuno s'onori! Wolfgang Amadeus Mozart, Composer
Glyndebourne Chorus
London Philharmonic Orchestra
Wolfgang Amadeus Mozart, Composer
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Overture Wolfgang Amadeus Mozart, Composer
London Philharmonic Orchestra
Wolfgang Amadeus Mozart, Composer
The date was July 24, 1992 (though as far as the booklet, box and announcements are concerned that seems to have been a closely guarded secret). The occasion was a fund-raising gala in the presence of the Prince of Wales: a farewell to the theatre in which opera had been given at Glyndebourne since the opening season of 1934. Sir George Christie, an urbane Master of Ceremonies, conceded that it was ‘a moment of some nostalgia’; and so it will be for many who watch this DVD and have fond memories revived. Philip Hope-Wallace used to say that attending an opera in that auditorium was like living in a match-box with a bumble-bee. But most of us were fond of it; and going back to it now, in picture and imagination, endears the place further.

The evening was well managed. Major successes are recalled, partly in the list of programmed works and composers, partly in the artists taking part. Some of them – Elisabeth Söderström, Janet Baker and Geraint Evans – are there only to speak, and all do so very effectively. The musical highpoint comes with Felicity Lott singing the closing scene from Capriccio, Bernard Haitink conducting with undemonstrative skill and affection. Memorable, too, is the reconciliation scene from Il ritorno d’Ulisse in patria, with Janet Baker recalling this most moving climax to Peter Hall’s production, and Frederica von Stade, opposite Benjamin Luxon, recreating her own lovely performance of years ago. It’s always good to see Ruggero Raimondi, and his account of Don Basilio’s slander song is something to watch as well as hear. Montserrat Caballé returned (hiring a private jet so as to be back in Barcelona to fulfil her duties at the Olympics): her solo from Otello, conducted by Andrew Davis is sung with marvellous control, though the slow tempo, always seeming about to get slower, weakens the cohesion and underlying tension of the scene. Due tributes are paid to chorus and orchestra, all richly deserved. The film crew must also take a share of the credit, The whole video has been carefully supervised, with no time wasted, and a few occasions found to roam round the garden, catch the light fading on the walls of the house, and see the night sky lit up with celebratory fireworks.

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