Glynbourne Festival Opera - A Gala Evening
A starry night under summer sussex skies marks a pivotal moment in a great opera house’s history
View record and artist detailsRecord and Artist Details
Composer or Director: George Gershwin, Claudio Monteverdi, Wolfgang Amadeus Mozart, Giuseppe Verdi, Gioachino Rossini, Richard Strauss, Benjamin Britten, Igor Stravinsky
Genre:
DVD
Label: Arthaus Musik
Magazine Review Date: 5/2004
Media Format: Digital Versatile Disc
Media Runtime: 112
Mastering:
Stereo
DDD
Catalogue Number: 100 432

Tracks:
Composition | Artist Credit |
---|---|
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Voi che sapete |
Wolfgang Amadeus Mozart, Composer
Frederica von Stade, Mezzo soprano London Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
Macbeth, Movement: Patria oppressa! |
Giuseppe Verdi, Composer
Giuseppe Verdi, Composer Glyndebourne Chorus Kim Begley, Tenor London Philharmonic Orchestra |
Macbeth, Movement: ~ |
Giuseppe Verdi, Composer
Giuseppe Verdi, Composer Glyndebourne Chorus Kim Begley, Tenor London Philharmonic Orchestra |
Otello, Movement: ~ |
Giuseppe Verdi, Composer
Giuseppe Verdi, Composer London Philharmonic Orchestra Montserrat Caballé, Soprano |
Otello, Movement: Ave Maria |
Giuseppe Verdi, Composer
Giuseppe Verdi, Composer London Philharmonic Orchestra Montserrat Caballé, Soprano |
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: ~ |
Gioachino Rossini, Composer
Frederica von Stade, Mezzo soprano Gioachino Rossini, Composer London Philharmonic Orchestra |
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: La calunnia è un venticello |
Gioachino Rossini, Composer
Gioachino Rossini, Composer London Philharmonic Orchestra Ruggero Raimondi, Bass |
(The) Rake's Progress, Movement: ~ |
Igor Stravinsky, Composer
Felicity Lott, Soprano Glyndebourne Chorus Igor Stravinsky, Composer London Philharmonic Orchestra |
(Il) Ritorno d'Ulisse in Patria, Movement: Illustratevi, o Cieli |
Claudio Monteverdi, Composer
Benjamin Luxon, Bass Claudio Monteverdi, Composer Frederica von Stade, Mezzo soprano London Philharmonic Orchestra |
Porgy and Bess, Movement: Summertime |
George Gershwin, Composer
Cynthia Haymon, Soprano George Gershwin, Composer London Philharmonic Orchestra |
Peter Grimes, Movement: Interlude (Storm) |
Benjamin Britten, Composer
Benjamin Britten, Composer London Philharmonic Orchestra |
Capriccio, Movement: ~ |
Richard Strauss, Composer
Felicity Lott, Soprano London Philharmonic Orchestra Richard Strauss, Composer |
Don Giovanni, Movement: Là ci darem la mano |
Wolfgang Amadeus Mozart, Composer
Cynthia Haymon, Soprano London Philharmonic Orchestra Ruggero Raimondi, Bass Wolfgang Amadeus Mozart, Composer |
Idomeneo, Re di Creta, 'Idomeneo, King of Crete', Movement: Nettuno s'onori! |
Wolfgang Amadeus Mozart, Composer
Glyndebourne Chorus London Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Overture |
Wolfgang Amadeus Mozart, Composer
London Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
Author: mscott rohan
The evening was well managed. Major successes are recalled, partly in the list of programmed works and composers, partly in the artists taking part. Some of them – Elisabeth Söderström, Janet Baker and Geraint Evans – are there only to speak, and all do so very effectively. The musical highpoint comes with Felicity Lott singing the closing scene from Capriccio, Bernard Haitink conducting with undemonstrative skill and affection. Memorable, too, is the reconciliation scene from Il ritorno d’Ulisse in patria, with Janet Baker recalling this most moving climax to Peter Hall’s production, and Frederica von Stade, opposite Benjamin Luxon, recreating her own lovely performance of years ago. It’s always good to see Ruggero Raimondi, and his account of Don Basilio’s slander song is something to watch as well as hear. Montserrat Caballé returned (hiring a private jet so as to be back in Barcelona to fulfil her duties at the Olympics): her solo from Otello, conducted by Andrew Davis is sung with marvellous control, though the slow tempo, always seeming about to get slower, weakens the cohesion and underlying tension of the scene. Due tributes are paid to chorus and orchestra, all richly deserved. The film crew must also take a share of the credit, The whole video has been carefully supervised, with no time wasted, and a few occasions found to roam round the garden, catch the light fading on the walls of the house, and see the night sky lit up with celebratory fireworks.
Discover the world's largest classical music catalogue with Presto Music.

Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
Subscribe
Gramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.