GLAZUNOV. SIBELIUS Violin Concertos
View record and artist detailsRecord and Artist Details
Composer or Director: Alexander Konstantinovich Glazunov, Jean Sibelius
Genre:
Orchestral
Label: Deutsche Grammophon
Magazine Review Date: 04/2016
Media Format: CD or Download
Media Runtime: 67
Mastering:
DDD
Catalogue Number: 481 2157

Tracks:
Composition | Artist Credit |
---|---|
Concerto for Violin and Orchestra |
Alexander Konstantinovich Glazunov, Composer
Alexander Konstantinovich Glazunov, Composer Esther Yoo, Violin Philharmonia Orchestra Vladimir Ashkenazy, Conductor |
Suite |
Jean Sibelius, Composer
Esther Yoo, Violin Jean Sibelius, Composer Philharmonia Orchestra Vladimir Ashkenazy, Conductor |
Raymonda, Movement: Grand Adagio |
Alexander Konstantinovich Glazunov, Composer
Alexander Konstantinovich Glazunov, Composer Esther Yoo, Violin Philharmonia Orchestra Vladimir Ashkenazy, Conductor |
Author: David Fanning
She brings great affection and even, perhaps, a touch of crusading zeal to the Glazunov, relishing its melting second theme and using her bright tone to good effect in the more energetic passages. Perhaps that tone is, at present, a little uniformly projected, the vibrato a little uniformly tight. That impression is certainly heightened by comparison with Nikolaj Znaider, whose Glazunov is far more colourful, touching and rhapsodic. In the Sibelius Concerto, too, Yoo does not as yet have the experience to relax her grip and explore darker recesses before returning to the fray with newly acquired wisdom.
For that kind of quality, it’s a case of going back to the great masters. Not that starry names guaranteed top quality – Vengerov, for example, gives an overheated, self-conscious account of the Sibelius (Apex, 9/96). Even when it comes to Sibelius’s Suite – a little treasure from his last years of composition that only resurfaced after his death – Yoo is less inside the music than, say, Dong-Suk Kang (in BIS’s Sibelius Edition, where the piece is also better documented). The Grand Adagio from Glazunov’s Raymonda is a welcome bonbon from a violinist whose future development should be well worth watching but for whom exposure on a label as prestigious as DG feels a little premature.
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