Gavriel Lipkind - Miniatures & Folklore
No chance of boredom here, and the delight far outweighs the irritations
View record and artist detailsRecord and Artist Details
Composer or Director: Johann Sebastian Bach
Genre:
Instrumental
Label: Berlin Classics
Magazine Review Date: 3/2007
Media Format: Super Audio CD
Media Runtime: 156
Mastering:
Stereo
DDD
Catalogue Number: 0016132GLP

Tracks:
Composition | Artist Credit |
---|---|
(6) Suites (Sonatas) for Cello |
Johann Sebastian Bach, Composer
Gavriel Lipkind, Cello Johann Sebastian Bach, Composer |
Composer or Director: Joachim Stutschewsky, Moritz Moszkowski, Alexander Konstantinovich Glazunov, Ernest Bloch, David Popper, Pyotr Ilyich Tchaikovsky, Gabriel Fauré, Johannes Brahms, Gaspar Cassadó, Jean-Louis Duport, Sulkhan Fyodorovich Tsintsadze, Felix Mendelssohn, Alexander Scriabin, Isaac Albéniz, Paul Ben Haim, Alfredo Piatti, Domenico Gabrielli, Alexander (Nikolayevich) Tcherepnin, Sergey Prokofiev, Jacques (François Antoine) Ibert, Grigoras Dinicu, Henryk Wieniawski, Fritz Kreisler
Genre:
Chamber
Label: Berlin Classics
Magazine Review Date: 3/2007
Media Format: CD or Download
Media Runtime: 77
Mastering:
Stereo
DDD
Catalogue Number: 0016142GLP

Tracks:
Composition | Artist Credit |
---|---|
Guitarre |
Moritz Moszkowski, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Moritz Moszkowski, Composer |
Scherzo-tarantelle |
Henryk Wieniawski, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Henryk Wieniawski, Composer |
España, Movement: No. 2, Tango |
Isaac Albéniz, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Isaac Albéniz, Composer |
Hora Staccato |
Grigoras Dinicu, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Grigoras Dinicu, Composer |
(7) Ricercari, Movement: Ricercar No 5 |
Domenico Gabrielli, Composer
Domenico Gabrielli, Composer Gavriel Lipkind, Cello |
Songs and Dances, Movement: Tartar Dance |
Alexander (Nikolayevich) Tcherepnin, Composer
Alexander (Nikolayevich) Tcherepnin, Composer Alexandra Lubchansky, Piano Gavriel Lipkind, Cello |
Music for Children, Movement: Waltz |
Sergey Prokofiev, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Sergey Prokofiev, Composer |
(5) Romances, Movement: 5. Arabic Melody |
Alexander Konstantinovich Glazunov, Composer
Alexander Konstantinovich Glazunov, Composer Alexandra Lubchansky, Piano Gavriel Lipkind, Cello |
Music for Cello |
Paul Ben Haim, Composer
Gavriel Lipkind, Cello Paul Ben Haim, Composer |
Romance |
Alexander Scriabin, Composer
Alexander Scriabin, Composer Alexandra Lubchansky, Piano Gavriel Lipkind, Cello |
Hassidic Suite, Movement: Dance |
Joachim Stutschewsky, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Joachim Stutschewsky, Composer |
Miniatures for String Quartet, Movement: Chonguri (1978) |
Sulkhan Fyodorovich Tsintsadze, Composer
Gavriel Lipkind, Cello Sulkhan Fyodorovich Tsintsadze, Composer |
(48) Songs without Words, Movement: No. 1, Andante un poco agitato in E minor |
Felix Mendelssohn, Composer
Alexandra Lubchansky, Piano Felix Mendelssohn, Composer Gavriel Lipkind, Cello |
Dance of the Elves |
David Popper, Composer
Alexandra Lubchansky, Piano David Popper, Composer Gavriel Lipkind, Cello |
Allegro moderato |
Gabriel Fauré, Composer
Gabriel Fauré, Composer Gavriel Lipkind, Cello |
(18) Morceaux, Movement: Berceuse, A flat |
Pyotr Ilyich Tchaikovsky, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Pyotr Ilyich Tchaikovsky, Composer |
(21) Exercices, Movement: No 7. |
Jean-Louis Duport, Composer
Gavriel Lipkind, Cello Jean-Louis Duport, Composer |
(10) Histoires, Movement: Le petite âne blanc |
Jacques (François Antoine) Ibert, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Jacques (François Antoine) Ibert, Composer |
Intermezzo e Danza Finale |
Gaspar Cassadó, Composer
Gaspar Cassadó, Composer Gavriel Lipkind, Cello |
From Jewish Life, Movement: Prayer |
Ernest Bloch, Composer
Alexandra Lubchansky, Piano Ernest Bloch, Composer Gavriel Lipkind, Cello |
(12) Caprices |
Alfredo Piatti, Composer
Alfredo Piatti, Composer Gavriel Lipkind, Cello |
(21) Hungarian Dances, Movement: No. 1 in G minor |
Johannes Brahms, Composer
Alexandra Lubchansky, Piano Gavriel Lipkind, Cello Johannes Brahms, Composer |
Tambourin chinois |
Fritz Kreisler, Composer
Alexandra Lubchansky, Piano Fritz Kreisler, Composer Gavriel Lipkind, Cello |
Author: DuncanDruce
He's a thoughtful, creative artist, too; most of the repeated sections in the Bach are embellished, sometimes with conventional trills, appoggiaturas and divisions, occasionally with more radical melodic changes. The folk character of many items on the recital disc is emphasised, through abnormal tone production, to suggest oriental instruments, or by means of unusual effects involving pizzicato, percussion or, in one instance, voice. And it's just as memorable when he plays more conventionally - Bloch's Prayer, for instance, is touching in its restrained intensity.
It's inevitable that a performer of such marked individuality will occasionally fail to convince. I wasn't won over by Hora staccato as a cello piece, nor did I enjoy Kreisler's Tambourin chinois, decked out with sickly added double-stops, and taking almost twice as long to play as the composer needed. A Mendelssohn Song Without Words sounds lovely with cello but is spoilt by the mannered, elongated up-beats.
In the Bach there's a similar mixture of highs and lows. Most of the Courantes, for example, are excellent: full of spirit and momentum, and with a feeling that the music is constantly being renewed. But the Allemandes of Suites Nos 1, 5, and 6 are surely far too slow, and have little sense of pulse. There's a similar problem with the Sarabandes until No 5 which, though still leisurely, is inspiring in its poise and tonal quality. Another outstanding performance is of the Fourth Suite's Prelude - fast and light, with the semiquaver passages whizzing past, and with no feeling of effort or awkwardness.
I urge you, then, to listen to these lavishly presented CDs. You may be annoyed in places but you won't ever be bored, and I'm sure you'll often be delighted.
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