Gabrieli and St Mark's Venetian Brass Music
View record and artist detailsRecord and Artist Details
Composer or Director: Andrea Gabrieli, Giovanni Gabrieli, Girolamo Frescobaldi, Lodovico Viadana
Genre:
Orchestral
Label: Nimbus
Magazine Review Date: 11/1990
Media Format: CD or Download
Media Runtime: 59
Mastering:
Stereo
DDD
Catalogue Number: NI5236
Tracks:
Composition | Artist Credit |
---|---|
Canzon duodecimi toni a 10 (No. 2) |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Sacrae symphoniae, Movement: Canzon primi toni, a 8 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Sacrae symphoniae, Movement: Canzon septemi e octavi toni, a 12 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Sacrae symphoniae, Movement: Canzon noni toni, a 12 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Sacrae symphoniae, Movement: Sonata pian e forte alla quarta bassa, a 8 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Canzon VII, a 7 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Canzon X, a 8 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Canzon XII, a 8 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Canzon XV, a 10 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Canzon XVI, a 12 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Sonata XVIII, a 14 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Sonata XIX, a 15 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Canzoni et Sonate, Movement: Sonata XX, a 22 |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Ricercar del duodecimo tuono a 4 |
Andrea Gabrieli, Composer
Andrea Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
(6) Canzoni, Movement: Canzon la spiritata |
Giovanni Gabrieli, Composer
Giovanni Gabrieli, Composer Simon Wright, Conductor Wallace Collection |
Sinfonie musicali a 8, Movement: La Padovana |
Lodovico Viadana, Composer
Lodovico Viadana, Composer Simon Wright, Conductor Wallace Collection |
Sinfonie musicali a 8, Movement: La Bergamasca |
Lodovico Viadana, Composer
Lodovico Viadana, Composer Simon Wright, Conductor Wallace Collection |
(Il) Primo libro delle canzoni, Movement: La Cittadellia (a due canti e due bassi) |
Girolamo Frescobaldi, Composer
Girolamo Frescobaldi, Composer Simon Wright, Conductor Wallace Collection |
Composer or Director: Giovanni Gabrieli, Heinrich Isaac, Gabriel Díaz Bessón, Adriano Banchieri
Label: Telarc
Magazine Review Date: 10/1989
Media Format: CD or Download
Media Runtime: 61
Mastering:
DDD
Catalogue Number: CD80204
Tracks:
Composition | Artist Credit |
---|---|
Sacrae symphoniae, Movement: Canzon septemi toni, a 8 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Sacrae symphoniae, Movement: Canzon septemi e octavi toni, a 12 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Sacrae symphoniae, Movement: Canzon duodecimi toni, a 10 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Canzon VIII, a 8 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Canzon IX, a 8 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Canzon X, a 8 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Sonata XIII, a 8 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Canzon XIV, a 10 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Canzon XV, a 10 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Canzon XVI, a 12 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Sonata XVIII, a 14 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzoni et Sonate, Movement: Sonata XIX, a 15 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Canzon a 12 |
Giovanni Gabrieli, Composer
Empire Brass Giovanni Gabrieli, Composer |
Instrumental Pieces, Movement: Der Welte Fundt |
Heinrich Isaac, Composer
Empire Brass Heinrich Isaac, Composer |
Instrumental Pieces, Movement: Untitled |
Heinrich Isaac, Composer
Empire Brass Heinrich Isaac, Composer |
Canzoni alla francese a 4, Movement: Concerto primo: La Battaglia |
Adriano Banchieri, Composer
Adriano Banchieri, Composer Empire Brass |
Canzoni alla francese a 4, Movement: Concerto secondo: Magnificat |
Adriano Banchieri, Composer
Adriano Banchieri, Composer Empire Brass |
Canzoni alla francese a 4, Movement: Concerto terzo: Magnificat |
Adriano Banchieri, Composer
Adriano Banchieri, Composer Empire Brass |
Lauda Jerusalem |
Gabriel Díaz Bessón, Composer
Empire Brass Gabriel Díaz Bessón, Composer |
Author: Iain Fenlon
The effect produced by Empire Brass is rich, at times overwhelmingly so, with touches of blowsiness that verge on the unsophisticated, their rhythmic style in active passages is punchy, with plenty of force in the bass; elsewhere there is an almost vocal approach to phrasing in long-breathed sections of mellifluous polyphony. The overall result is impressive, superficially glittering, but ultimately rather relentless. And, unfortunately, much of the detail of the music is missed; the antiphonal effect of repeated moments passed from one group of instruments, a characteristic of the Venetian style, calls out for dynamic differentiation, but all too often these performances romp through the score at a steady mezzoforte. Initially exciting, but on careful listening unresponsive to the demends of Gabrieli's carefully-designed structures.
The Wallace Collection turn in a quite different approach (and it is worth noting that five of Giovanni Gabrieli's pieces occur on both records, allowing plenty of scope for comparison). Here a careful reading of the Sonata pian e forte, the earliest piece in the history of music in which the composer distinguishes between soft and loud passages, seems to have been taken as a general cue for a careful attitude towards dynamics and, in particular, towards the architectural details of these pieces. Wallace assigns the instruments on a strictly one-to-a-part principle (Empire Brass indulge in doubling); this is historically correct and it pays off in terms of linear clarity. These are, though, not dutifully dull authentic performances. There is real understanding here of the way in which this music is layered, most obviously in the clear separation of fast-moving upper lines (often further enlivened with brilliantly-executed improvised ornamentation), from the sonorous lower parts played on trombones. Both these discs make for enjoyable and exciting listening, but in the last analysis I have no hesitation in prefering the interpretations of John Wallace and his ensemble of virtuosos.'
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