Even Such is Time
A compact but intelligently programmed and well-sung modern British vocal survey
View record and artist detailsRecord and Artist Details
Composer or Director: Robert Chilcott, Gabriel Jackson, Michael Berkeley, Magnus Williamson
Genre:
Vocal
Label: Metier Sound & Vision
Magazine Review Date: 11/2002
Media Format: CD or Download
Media Runtime: 61
Mastering:
Stereo
DDD
Catalogue Number: MSVCD92035

Tracks:
Composition | Artist Credit |
---|---|
(8) Motets |
Michael Berkeley, Composer
Judy Martin, Conductor Michael Berkeley, Composer Voces Sacrae |
O sacrum convivium |
Gabriel Jackson, Composer
Gabriel Jackson, Composer Judy Martin, Conductor Voces Sacrae |
I Look from Afar |
Gabriel Jackson, Composer
Gabriel Jackson, Composer Judy Martin, Conductor Voces Sacrae |
Tomorrow Go Ye Forth |
Gabriel Jackson, Composer
Gabriel Jackson, Composer Judy Martin, Conductor Voces Sacrae |
Even such is time |
Robert Chilcott, Composer
Judy Martin, Conductor Robert Chilcott, Composer Voces Sacrae |
Love |
Robert Chilcott, Composer
Judy Martin, Conductor Robert Chilcott, Composer Voces Sacrae |
Steal Away |
Robert Chilcott, Composer
Judy Martin, Conductor Robert Chilcott, Composer Voces Sacrae |
Missa Tertia |
Magnus Williamson, Composer
Judy Martin, Conductor Magnus Williamson, Composer Voces Sacrae |
Author: Marc Rochester
The nine voices of Voces Sacrae display consummate musicianship, sensitivity and technical control. Judy Martin avoids any temptation to turn these excellent singers into one of those slickly polished, exaggeratedly precise and oh-so-happy-to-be-singing groups with which British choral music seems to abound, but is content to concentrate on the music itself rather than choral virtuosity for its own sake.
The result is a disc of real pleasure both in the quality of the singing and the programme which, perhaps surprisingly for such a small group, suits Voces Sacrae to a tee. (Mathematicians may identify a slight discrepancy between the size of the choir and the fact that Gabriel Jackson’s O Sacrum Convivium moves into 10 parts; but we’ll let that pass.) For Magnus Williamson’s beautifully taut Missa Tertia they are joined by eight voices from St Mary Magdelen, Oxford, and while the added numbers produce an even warmer sound, there is no loss of the intimacy and immaculate ensemble which characterises this entire disc. David Lefeber’s sympathetic recording further enhances what is already a wonderful sound.
Three of these four living British composers have looked to mainland European models rather than domestic tradition in their religious choral music – Michael Berkeley acknowledges a ‘harmonic gaze slightly in the direction of France’ (all the composers have contributed their own commentary), Magnus Williamson’s Mass has echoes of Frank Martin – although the restrained ‘Hosanna in excelsis’ which concludes the Benedictus and the climactic Agnus Dei give this work real originality – and, especially in his magical O sacrum convivium, Gabriel Jackson has veered more towards eastern Europe and Arvo Pärt than the more obvious example of Messiaen.
Characteristically, Bob Chilcott, whether in the delicate setting of Walter Raleigh’s Even such is time, the ethereal Love, a setting of words by Tennyson, or the vivid Steal away, originally written for The King’s Singers, finds exactly the right style to match the texts; and Voces Sacrae serve him, and the others, with absolute conviction.
The result is a disc of real pleasure both in the quality of the singing and the programme which, perhaps surprisingly for such a small group, suits Voces Sacrae to a tee. (Mathematicians may identify a slight discrepancy between the size of the choir and the fact that Gabriel Jackson’s O Sacrum Convivium moves into 10 parts; but we’ll let that pass.) For Magnus Williamson’s beautifully taut Missa Tertia they are joined by eight voices from St Mary Magdelen, Oxford, and while the added numbers produce an even warmer sound, there is no loss of the intimacy and immaculate ensemble which characterises this entire disc. David Lefeber’s sympathetic recording further enhances what is already a wonderful sound.
Three of these four living British composers have looked to mainland European models rather than domestic tradition in their religious choral music – Michael Berkeley acknowledges a ‘harmonic gaze slightly in the direction of France’ (all the composers have contributed their own commentary), Magnus Williamson’s Mass has echoes of Frank Martin – although the restrained ‘Hosanna in excelsis’ which concludes the Benedictus and the climactic Agnus Dei give this work real originality – and, especially in his magical O sacrum convivium, Gabriel Jackson has veered more towards eastern Europe and Arvo Pärt than the more obvious example of Messiaen.
Characteristically, Bob Chilcott, whether in the delicate setting of Walter Raleigh’s Even such is time, the ethereal Love, a setting of words by Tennyson, or the vivid Steal away, originally written for The King’s Singers, finds exactly the right style to match the texts; and Voces Sacrae serve him, and the others, with absolute conviction.
Discover the world's largest classical music catalogue with Presto Music.

Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
Subscribe
Gramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.