English String Music
View record and artist detailsRecord and Artist Details
Composer or Director: Michael Tippett, Ralph Vaughan Williams, Edward Elgar, Benjamin Britten
Label: RPO
Magazine Review Date: 3/1990
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: ZCRPO8020

Tracks:
Composition | Artist Credit |
---|---|
Serenade |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Philharmonic Orchestra |
Variations on a theme of Frank Bridge |
Benjamin Britten, Composer
Benjamin Britten, Composer Charles Groves, Conductor Royal Philharmonic Orchestra |
Fantasia on a Theme by Thomas Tallis |
Ralph Vaughan Williams, Composer
Charles Groves, Conductor Ralph Vaughan Williams, Composer Royal Philharmonic Orchestra |
Fantasia concertante on a Theme of Corelli |
Michael Tippett, Composer
Charles Groves, Conductor Michael Tippett, Composer Royal Philharmonic Orchestra |
Composer or Director: Michael Tippett, Ralph Vaughan Williams, Edward Elgar, Benjamin Britten
Label: RPO
Magazine Review Date: 3/1990
Media Format: CD or Download
Media Runtime: 75
Mastering:
DDD
Catalogue Number: CDRPO8020

Tracks:
Composition | Artist Credit |
---|---|
Serenade |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Philharmonic Orchestra |
Variations on a theme of Frank Bridge |
Benjamin Britten, Composer
Benjamin Britten, Composer Charles Groves, Conductor Royal Philharmonic Orchestra |
Fantasia on a Theme by Thomas Tallis |
Ralph Vaughan Williams, Composer
Charles Groves, Conductor Ralph Vaughan Williams, Composer Royal Philharmonic Orchestra |
Fantasia concertante on a Theme of Corelli |
Michael Tippett, Composer
Charles Groves, Conductor Michael Tippett, Composer Royal Philharmonic Orchestra |
Composer or Director: Michael Tippett, Ralph Vaughan Williams, Edward Elgar, Benjamin Britten
Label: RPO
Magazine Review Date: 3/1990
Media Format: Vinyl
Media Runtime: 0
Mastering:
DDD
Catalogue Number: RPO8020

Tracks:
Composition | Artist Credit |
---|---|
Serenade |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Philharmonic Orchestra |
Variations on a theme of Frank Bridge |
Benjamin Britten, Composer
Benjamin Britten, Composer Charles Groves, Conductor Royal Philharmonic Orchestra |
Fantasia on a Theme by Thomas Tallis |
Ralph Vaughan Williams, Composer
Charles Groves, Conductor Ralph Vaughan Williams, Composer Royal Philharmonic Orchestra |
Fantasia concertante on a Theme of Corelli |
Michael Tippett, Composer
Charles Groves, Conductor Michael Tippett, Composer Royal Philharmonic Orchestra |
Author: Christopher Headington
These are fresh and vital performances, and they avoid the excessive nostalgia that could deprive the music of its strength. Thus Elgar's Serenade for strings opens briskly, and its songful Larghetto breathes deep feeling without affectation. Compared to the Elgar, Britten's Variations on a theme of Frank Bridge seemed less English in character when the Boyd Neel Orchestra first played them in Salzburg over 50 years ago, but they too now reveal their nationality in a non-nationalist way, just as Bach and Beethoven sound German, they provide a thrilling challenge for any string orchestra which the RPO players (a big body of strings) meet splendidly, and again the playing is affectionate but un-fussy, with real wit and a no less convincing intensity of feeling where these qualities are called for, though I would have welcomed a little more delicate lingering in the ''Romance'' and dancelike lightness in the ''Bourree Classique'' and felt that the ''Fugue'' was a trace deliberate.
After the Britten comes music superbly evocative of England, and in particular of the great English cathedrals with their dramatic use of space and light, in the shape of Vaughan Williams's Fantasia on a theme of Thomas Tallis, a work which in its choice and treatment of a theme also reaches back to the glories of Tudor times; this is a radiant, richly textured and spacious account. Sir Charles has an especial fondness for Tippett's nobly challenging Corelli Fantasia and he and the orchestra steer a sure course through its manifold textural and rhythmic complexities. The recording was made last September in St Barnabas's Church in Mitcham, where the rather reverberant acoustic suits the Vaughan Williams perhaps best of all while being probably not ideal for the Britten and Tippett. But the sound is attractive throughout and overall this is a most desirable collection.'
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