Elgar Orchestral Works
View record and artist detailsRecord and Artist Details
Composer or Director: Edward Elgar
Label: Studio
Magazine Review Date: 3/1990
Media Format: CD or Download
Media Runtime: 76
Mastering:
ADD
Catalogue Number: 763280-2

Tracks:
Composition | Artist Credit |
---|---|
Nursery Suite |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
Grania and Diarmid, Movement: Funeral March |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
Severn Suite |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
(The) Light of Life, 'Lux Christi', Movement: Meditation |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Noel Rawsthorne, Organ Royal Liverpool Philharmonic Orchestra |
Caractacus, Movement: Woodland Interlude |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
Composer or Director: Edward Elgar
Label: Studio
Magazine Review Date: 3/1990
Media Format: Cassette
Media Runtime: 0
Mastering:
ADD
Catalogue Number: EG763280-4

Tracks:
Composition | Artist Credit |
---|---|
Nursery Suite |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
Grania and Diarmid, Movement: Funeral March |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
Severn Suite |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
(The) Light of Life, 'Lux Christi', Movement: Meditation |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Noel Rawsthorne, Organ Royal Liverpool Philharmonic Orchestra |
Caractacus, Movement: Woodland Interlude |
Edward Elgar, Composer
Charles Groves, Conductor Edward Elgar, Composer Royal Liverpool Philharmonic Orchestra |
Author:
The loss, I think, is not too grievous, for Sir Charles is a very sure-footed Elgarian rather in the Boult tradition, and there is no item here which is anything other than wholly idiomatic and sympathetically conducted. But at the same time Elgar's richly imaginative, restless spirit is not fully realized: sometimes the beat is too hefty and constant, and the music's mercurial ebb and flow is missing. There is not quite the elegance and wistful charm that there should be in the little Caractacus piece, and the Grania and Diarmid excerpt rather lacks atmosphere and tragic grandeur. The Nursery Suite is given a pleasant, gently affectionate reading, however, and in general there's much to enjoy throughout a very well-filled disc. The RLPO play very well and are given a good, sonorous recording.'
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