Early and Late
View record and artist detailsRecord and Artist Details
Composer or Director: Traditional, Rune Glerup, Pelle Gudmundsen-Holmgreen, Sunleif Rasmussen
Genre:
Chamber
Label: Dacapo
Magazine Review Date: 03/2014
Media Format: Super Audio CD
Media Runtime: 49
Mastering:
DDD
Catalogue Number: 6 220640
Tracks:
Composition | Artist Credit |
---|---|
Two Svabo Polonaises |
Traditional, Composer
Gáman Traditional, Composer |
objets/décalages |
Rune Glerup, Composer
Gáman Rune Glerup, Composer |
Tornge's Song (Qaanaaq) |
Traditional, Composer
Gáman Traditional, Composer |
Together or Not |
Pelle Gudmundsen-Holmgreen, Composer
Gáman Pelle Gudmundsen-Holmgreen, Composer |
Qivittoq Song after Jakob Dorph |
Traditional, Composer
Gáman Traditional, Composer |
Ormurin Langi + Regin Smiður |
Traditional, Composer
Gáman Traditional, Composer |
Three Bridal Pieces from Sønderho |
Traditional, Composer
Gáman Traditional, Composer |
Accvire |
Sunleif Rasmussen, Composer
Gáman Sunleif Rasmussen, Composer |
Brestiskvæði |
Traditional, Composer
Gáman Traditional, Composer |
Traditional song (Ikerasak) |
Traditional, Composer
Gáman Traditional, Composer |
Goodnight and Farewell |
Traditional, Composer
Gáman Traditional, Composer |
Author: David Fanning
The contemporary pieces naturally offer more to chew on. Rune Glerup’s objets/décalages (‘objects/time-shifts’) is a six-minute collage of dance-like and static ideas, intercut in the manner of Maxwell Davies’s Antechrist or Birwistle’s Carmen Arcadiae Mechanicae Perpetuum. A talented miniature, whose images perhaps invite a larger canvas. Pelle Gudmundsen-Holmgreen is a past master at such post-Stravinskian assemblages and his Together or Not is the standout piece on the disc. In the course of eight minutes it puts together its fragments in a way that manages, like the best abstract paintings, to be at once fascinating at first encounter, haunting on reacquaintance and thought-provoking in between.
Sunleif Rasmussen’s Accvire (ACCordion, VIolin and REcorder) is a polystylistic medley in which Ligeti meets Vivaldi meets atonal ballads. At 10 minutes it gives itself space to unfold interesting juxtapositions, but I’m not sure it succeeds in doing so, for all the musicians’ claims that it evokes Faroese landscapes and weather-patterns.
Fifty minutes is arguably rather short measure. On the other hand the disc offers a highly distinctive concept and timbral palette, and it is beautifully recorded.
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