Dvorák Symphonic Poems
View record and artist detailsRecord and Artist Details
Composer or Director: Antonín Dvořák
Label: Chandos
Magazine Review Date: 4/1990
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: DBTD2019
Tracks:
| Composition | Artist Credit |
|---|---|
| My Home |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Water Goblin |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Golden Spinning-Wheel |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Noon Witch |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Wild Dove |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| Heroic Song |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
Composer or Director: Antonín Dvořák
Label: Chandos
Magazine Review Date: 4/1990
Media Format: CD or Download
Media Runtime: 111
Mastering:
DDD
Catalogue Number: CHAN8798/9
Tracks:
| Composition | Artist Credit |
|---|---|
| My Home |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Water Goblin |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Golden Spinning-Wheel |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Noon Witch |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| (The) Wild Dove |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
| Heroic Song |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Neeme Järvi, Conductor Royal Scottish National Orchestra |
Author: jswain
Originally issued as 'fillers' (what a demeaning expression that is!) to Jarvi's symphony cycle, the four tone-poems that Dvorak wrote after his return from America, based on Karl Jaromir Erben's collection of gruesome folk ballads, are here framed by the much earlier My home Overture and his last orchestral work, The Hero's Song.
Received wisdom has taught us to be patronizing about these late works—ignore it! Janacek was fascinated enough by the four Erben poems to publish a detailed analysis of them. Indeed, in the central section ofThe golden spinning-wheel, where the wheel and assorted paraphernalia are offered to the false queen in return for the various dismembered portions of our heroine's body, the ostinatos on muted strings sound like pure Janacek.
The descriptive range and imagination of Dvorak's orchestration are a consistent joy throughout this set, even if his fiends seem imagined from the warm interior of a Victorian nursery—one shudders to think what Janacek himself might have made of them. The orchestral colourings are firmly rooted in the late romantic tradition—the 'forest murmurs' of the water goblin's domain, for example. And yet, there are prophetic moments too: the exquisite closing pages of The wild dove could be the best thing Martinu ever wrote.
Jarvi's performances need no further recommendation from me, but there are moments where I prefer Kertesz's sharper pointing of rhythms with the LSO in indomitable form, particularly in the My home Overture and The noon witch, and Decca's engineering, though lacking the Chandos bloom, still thrills 20 years on. Alas, Kertesz never recorded The wild dove, and his Noon witch, Water goblin and My home are currently unavailable.
Chandos's wide-screen, superbly balanced sound adds greatly to the atmospheric strains of these works, and Gerald Larner's notes enable you to pinpoint every incidental delight. A musical feast!'
Received wisdom has taught us to be patronizing about these late works—ignore it! Janacek was fascinated enough by the four Erben poems to publish a detailed analysis of them. Indeed, in the central section of
The descriptive range and imagination of Dvorak's orchestration are a consistent joy throughout this set, even if his fiends seem imagined from the warm interior of a Victorian nursery—one shudders to think what Janacek himself might have made of them. The orchestral colourings are firmly rooted in the late romantic tradition—the 'forest murmurs' of the water goblin's domain, for example. And yet, there are prophetic moments too: the exquisite closing pages of The wild dove could be the best thing Martinu ever wrote.
Jarvi's performances need no further recommendation from me, but there are moments where I prefer Kertesz's sharper pointing of rhythms with the LSO in indomitable form, particularly in the My home Overture and The noon witch, and Decca's engineering, though lacking the Chandos bloom, still thrills 20 years on. Alas, Kertesz never recorded The wild dove, and his Noon witch, Water goblin and My home are currently unavailable.
Chandos's wide-screen, superbly balanced sound adds greatly to the atmospheric strains of these works, and Gerald Larner's notes enable you to pinpoint every incidental delight. A musical feast!'
Dvorák Symphonic Poems
Dvorák Symphonic Poems
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