Debussy (12) Études
Rogé’s Debussy recalls his younger days but faces stiff competition
View record and artist detailsRecord and Artist Details
Composer or Director: Claude Debussy
Label: Onyx
Magazine Review Date: 12/2010
Media Format: CD or Download
Media Runtime: 54
Mastering:
Stereo
Catalogue Number: ONYX4056

Tracks:
Composition | Artist Credit |
---|---|
(12) Etudes, Movement: Pour les cinq doigts |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les tierces |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les quartes |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les sixtes |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les ocatves |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les huits doigts |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les degrés chromatiques |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les agréments |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les notes répetés |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les sonorités opposées |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les arpèges composés |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
(12) Etudes, Movement: Pour les accords |
Claude Debussy, Composer
Claude Debussy, Composer Pascal Rogé, Piano |
Author: Jed Distler
The performance’s unevenness sets the tone for the Etudes to come. Rogé’s protracted and soggy traversal of “Pour les sonorités opposées” times out to nearly seven and a half minutes: quite a contrast to the stronger shaping Mitsuko Uchida achieves in 5'22". Similarly, Rogé dryly ambles through “Pour les quartes” in 6'43" whereas the far suppler Jean-Efflam Bavouzet clocks in at 4'54". In No 9 Rogé’s repeated notes are lacklustre and mechanical in comparison to Bavouzet, Uchida and Florent Boffard. However, Rogé’s ample rubatos work better in No 11 and in No 12’s central section, where they underline the music’s sexy harmonies in dark red ink. And the sonorous lilt Rogé brings to “Pour les octaves” often evokes the younger, more ebullient Rogé I remember from his 1970s Decca Debussy recordings. Yet despite their memorable moments, Rogé’s Debussy Etudes face tough uphill competition from Bavouzet and Uchida, not to mention Boffard, Alain Planès and an exceptional though hard-to-find edition on the ProPiano label featuring Ju-Ying Song.
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