DE WERT Scared Motets

Record and Artist Details

Composer or Director: Giaches de Wert

Genre:

Vocal

Label: Harmonia Mundi

Media Format: Super Audio CD

Media Runtime: 67

Mastering:

DDD

Catalogue Number: HMM807620

HMM807620. DE WERT Scared Motets

Tracks:

Composition Artist Credit
Gaudete in Domino Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Hoc enim sentite in vobis Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Saule, Saule Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Vox in Rama audita est Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Amen, amen dico vobis Giaches de Wert, Composer
Giaches de Wert, Composer
Egressus Jesus Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Peccavi super numerum Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
O crux ave spes unica Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Ascendente Jesu in naviculam Giaches de Wert, Composer
Giaches de Wert, Composer
Virgo Maria hodie ad coelum Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Quiescat vox tua a ploratu Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
Deus iustus, et salvans Giaches de Wert, Composer
Giaches de Wert, Composer
stile antico
O altitudo divitiarum Giaches de Wert, Composer
Giaches de Wert, Composer
The Flemish-born composer Giaches de Wert (1535 96), famous for being Monteverdi’s predecessor at Mantua, is perhaps best remembered today for his madrigals and the splendid motet Vox in Rama. This album selects motets from books 2 and 3 (both printed in 1581), and elucidates a composer who skilfully blends formal polyphonic writing with the madrigalian arts.

Stile Antico also skilfully blend these two styles: in Hoc enim sentite in vobis the contrast between the stately first half and the impassioned second half may be more subtle than from Collegium Regale (Signum, 12/08) but it enhances the delicious setting of ‘caelestium, terrestrium’ (heaven and earth) as sopranos waft heavenwards. This is an important glimpse of Wert’s genius for embedding striking word painting within the poignant and devout textures of sacred music. Importantly, the way Stile Antico accommodate these different modes with ease marks this album as special. They phrase with purpose and animate texts but never compromise their beautiful warm blend. Previously I have felt they overly prioritise poise at the expense of expressive irregularities, but here a crack in their conservative façade allows delicious moments to shine through.

The astonishingly vivid Ascendente Jesu in naviculum, which tells of Jesus and his disciples at sea in a storm, probably best showcases Stile Antico’s extrovert potential. Alongside this, a magnificent if rather statuesque performance of Vox in Rama offers a refined and sonorous approach characterised by the slow, soporific atmospheres that Stile Antico often favour in continental polyphony. It is testament to Wert’s emotional immediacy that this album is one of their most engaging recordings: polyphony to grab one’s attention rather than to carpet a devotional daydream.

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