Concertos for Horn and Orchestra
Effortless,freely phrased virtuoso playing in a curious compilation recital
View record and artist detailsRecord and Artist Details
Composer or Director: Reinhold Glière, Robert Schumann, Olivier Messiaen, Paul (Abraham) Dukas, Jean-Luc Darbellay, Richard Strauss
Genre:
Chamber
Label: Cascavelle
Magazine Review Date: 8/2003
Media Format: CD or Download
Media Runtime: 60
Mastering:
Stereo
DDD
Catalogue Number: RSR6138

Tracks:
Composition | Artist Credit |
---|---|
Concerto for Horn and Orchestra No. 1 |
Richard Strauss, Composer
Olivier Darbellay, Horn Patrizio Mazzola, Piano Richard Strauss, Composer |
Villanelle |
Paul (Abraham) Dukas, Composer
Olivier Darbellay, Horn Patrizio Mazzola, Piano Paul (Abraham) Dukas, Composer |
Adagio and Allegro |
Robert Schumann, Composer
Olivier Darbellay, Horn Patrizio Mazzola, Piano Robert Schumann, Composer |
Pieces, Movement: Romance (horn) |
Reinhold Glière, Composer
Olivier Darbellay, Horn Patrizio Mazzola, Piano Reinhold Glière, Composer |
Pieces, Movement: Nocturne (horn) |
Reinhold Glière, Composer
Olivier Darbellay, Horn Patrizio Mazzola, Piano Reinhold Glière, Composer |
Appel interstellaire |
Olivier Messiaen, Composer
Olivier Darbellay, Horn Olivier Messiaen, Composer |
Concerto for Horn and Orchestra " Incanto " |
Jean-Luc Darbellay, Composer
Jean-Luc Darbellay, Composer Jean-Luc Darbellay, Conductor Moscow State Philharmonic Orchestra Olivier Darbellay, Horn |
Author: Jonathan Freeman-Attwood
With all that in mind, Darbellay proves to be a good player as you’d expect from the winner of a competition whose previous victors include Emmanuel Pahud and Thierry Félix. His tone is strong and true, with effortless ease in all registers, a fluid and beguiling sense of line as well as a light and alert articulation in the Strauss (which I admit rather enjoying in its reductive state, despite a boxy recorded sound). His Schumann Adagio and Allegro has dollops of natural bravura and the requisite lyricism, although there is the odd tendency to sharpness in the upper register, as indeed one hears in the Glière.
The final work by Jean-Luc Darbellay (the soloist’s father) is energetic if largely inconsequential. Despite Cascavelle’s parochial promotional concept, talent spotters will want to keep a track of Darbellay junior’s progress .
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