COMPÈRE Music for the Duke of Milan
View record and artist detailsRecord and Artist Details
Composer or Director: Alexander Agricola, Gaspar van Weerbecke, Loyset Compère, Heinrich Lübeck, Johann Paul Aegidius Martini
Genre:
Vocal
Label: Arcana
Magazine Review Date: 11/2017
Media Format: CD or Download
Media Runtime: 65
Mastering:
DDD
Catalogue Number: A436
Tracks:
Composition | Artist Credit |
---|---|
Ave Domina Sancta Maria a 4 |
Alexander Agricola, Composer
Alexander Agricola, Composer Ensemble Pian & Forte La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Ave, pulcherrima regina a 3 |
Alexander Agricola, Composer
Alexander Agricola, Composer Ensemble Pian & Forte La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
L'homme banni |
Alexander Agricola, Composer
Alexander Agricola, Composer Ensemble Pian & Forte La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Tota pulchra es |
Alexander Agricola, Composer
Alexander Agricola, Composer Ensemble Pian & Forte La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Missa Galeazescha |
Loyset Compère, Composer
Ensemble Pian & Forte La Pifarescha La Reverdie Loyset Compère, Composer Odhecaton Paolo da Col, Director |
Ave Maria, gratia plena |
Loyset Compère, Composer
Ensemble Pian & Forte La Pifarescha La Reverdie Loyset Compère, Composer Odhecaton Paolo da Col, Director |
Etzliche Punctenn aus einer Sonade |
Heinrich Lübeck, Composer
Ensemble Pian & Forte Heinrich Lübeck, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Sonata No 6 |
Heinrich Lübeck, Composer
Ensemble Pian & Forte Heinrich Lübeck, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Sonata No 100 |
Heinrich Lübeck, Composer
Ensemble Pian & Forte Heinrich Lübeck, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
La Martinella |
Johann Paul Aegidius Martini, Composer
Ensemble Pian & Forte Johann Paul Aegidius Martini, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Toujours bien |
Johann Paul Aegidius Martini, Composer
Ensemble Pian & Forte Johann Paul Aegidius Martini, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Ave, stella matutina a 4 |
Gaspar van Weerbecke, Composer
Ensemble Pian & Forte Gaspar van Weerbecke, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Christi mater, ave |
Gaspar van Weerbecke, Composer
Ensemble Pian & Forte Gaspar van Weerbecke, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Mater digna Dei |
Gaspar van Weerbecke, Composer
Ensemble Pian & Forte Gaspar van Weerbecke, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Virgo Maria |
Gaspar van Weerbecke, Composer
Ensemble Pian & Forte Gaspar van Weerbecke, Composer La Pifarescha La Reverdie Odhecaton Paolo da Col, Director |
Author: Fabrice Fitch
The recital’s centrepiece is the so-called Missa Galeazescha, a cycle of motets likely intended for performance while Mass was being said. This is interleaved with other motets by Weerbeke and Agricola, bringing together several ensembles in different combinations (including as soloist the organist Liuwe Tamminga, playing on a Bolognese instrument built in the very decade the music was composed).That voices and instruments combined as they do here in some movements of the Missa Galeazescha is by no means a given, but the groups are so well blended (and indeed opulent) that one imagines that Galeazzo would have been delighted. In fact, the variety of approaches on offer is one of this disc’s most attractive aspects. Two moments stand out for me: Tamminga’s rendering of organ intabulations (particularly Weerbeke’s Virgo Maria), an awe-inspiring sound; and a passage in the Missa Galeazescha when Compère abruptly switches styles, as though directly grafting a popular lauda into his music. At this point voices give way to instruments altogether; it’s a very moving moment.
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