Christiane Karg: Parfum

Record and Artist Details

Composer or Director: (Marie Eugène) Henri Duparc, Benjamin Britten, Claude Debussy, Charles (Louis Eugène) Koechlin, Maurice Ravel

Genre:

Vocal

Label: BR Klassik

Media Format: CD or Download

Media Runtime: 74

Mastering:

DDD

Catalogue Number: 0300832BC

0300832BC. Christiane Karg: Parfum

Tracks:

Composition Artist Credit
Shéhérazade Maurice Ravel, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
David Afkham, Conductor
Maurice Ravel, Composer
(5) Poèmes de Charles Baudelaire, Movement: Le balcon Claude Debussy, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
Claude Debussy, Composer
David Afkham, Conductor
(5) Poèmes de Charles Baudelaire, Movement: Harmonie du soir Claude Debussy, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
Claude Debussy, Composer
David Afkham, Conductor
(5) Poèmes de Charles Baudelaire, Movement: Le jet d'eau Claude Debussy, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
Claude Debussy, Composer
David Afkham, Conductor
(5) Poèmes de Charles Baudelaire, Movement: Receillement Claude Debussy, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
Claude Debussy, Composer
David Afkham, Conductor
(4) Chansons françaises Benjamin Britten, Composer
Bamberg Symphony Orchestra
Benjamin Britten, Composer
Christiane Karg, Soprano
David Afkham, Conductor
Épiphanie Charles (Louis Eugène) Koechlin, Composer
Bamberg Symphony Orchestra
Charles (Louis Eugène) Koechlin, Composer
Christiane Karg, Soprano
David Afkham, Conductor
(L')Invitation au voyage (Marie Eugène) Henri Duparc, Composer
(Marie Eugène) Henri Duparc, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
David Afkham, Conductor
(La) Vie antérieure (Marie Eugène) Henri Duparc, Composer
(Marie Eugène) Henri Duparc, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
David Afkham, Conductor
Phidylé (Marie Eugène) Henri Duparc, Composer
(Marie Eugène) Henri Duparc, Composer
Bamberg Symphony Orchestra
Christiane Karg, Soprano
David Afkham, Conductor
‘Like the aroma of a costly perfume that evaporates and leaves behind it just a hint of elegance’ is how Christiane Karg describes the mood of her disc of Francophone orchestral songs in order to explain its title. She’s being discreet, since this beautifully programmed if full-on recital examines erotic yearning and regret within the wider context of the relationship between innocence and adult knowledge. Shéhérazade, ‘Épiphanie’ and the Duparc songs hanker after sensual experiences beyond the here and now. The Debussy/Adams Livre de Baudelaire, world-wearily meditating on desire and tristesse, is tellingly placed alongside the teenage Britten’s Quatre Chansons françaises, which contain in embryo the emotional landscapes of his mature work.

Much of it is beautifully done, though Shéhérazade, with which Karg opens, isn’t quite on the same level as the rest of it. Interpretatively she’s strong, delivering the cycle with the studied awareness of one who knows how to ‘interrompre le conte avec art’, as the text puts it. The recording itself, however, places her voice very close, presumably to emphasise the careful dynamic gradations of her soft singing, though it also captures an occasional pulse in the sound and an uncharacteristic thinness of tone in her lower registers.

Thereafter, however, the balance becomes less artificial and Karg’s voice is allowed to emerge in its splendour and fullness. ‘Épiphanie’ is exquisitely poised and her Duparc urgent rather than languid: the rush of excitement at the climax of ‘La vie antérieure’ is unusual, though apt. Le livre de Baudelaire burns with a dark, flagrant sincerity, while the Britten, gazing querulously towards adulthood, has a touching grace. The Bamberg Symphony are on fine form for David Afkham, too. Wayward speeds again hamper Shéhérazade, though the clarinets at the start of ‘Asie’ sound very seductive. And Adams’s slippery, troubling orchestrations, gliding away from genuine Debussy towards Wagner and even early Schoenberg, are illuminated with superb finesse.

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