Vladimir Ashkenazy made his integral set of the Mazurkas over a decade. He has always played outstandingly. He does so again here, giving complete satisfaction. The set includes all those published posthumously and the revised version of Op 68 No 4, so this is a comprehensive survey. Ashkenazy memorably catches their volatile character, and their essential sadness. Consider, for example, the delicacy and untrammelled spontaneity with which he approaches these works. He shows the most exquisite sensibility, each item strongly though never insistently characterised. His accounts of the Mazurkas of Opp 6 and 7, for instance, offer a genuine alternative to Rubinstein. Nine pieces in all, they were Chopin’s first published sets and their piquancy, the richness of their ideas, is here made very apparent. One is given a sense of something completely new having entered music. Although there are fine things in all the groups, Op 24 is the first Mazurka set of uniformly high quality and No 4 is Chopin’s first great work in the genre. 

On hearing them together like this one appreciates the cumulative effect which the composer intended, and Ashkenazy makes a hyper-sensitive response to their quickly changing moods. The recorded sound has the warmth, fullness and immediacy typical of this series, with a nice bloom to the piano tone.