ECM has performed another valuable service in releasing a major work by Friedrich Cerha who, now in his early eighties, remains best known for completing the third act of Berg’s Lulu. His own music is poorly represented but the Cello Concerto is certainly representative of his recent output. It began life in 1989 as a “Phantasiestück” that, seven years on, was made the centrepiece of the present three-movement work. And it is this movement, its serene outer sections enclosing a scherzo of limpid delicacy, that makes the strongest impression. Those either side intensify Cerha’s combative post-Romanticism, but their rather dutiful alternation between relative dynamism and stasis does not always generate the momentum needed to power the 35-minute whole, for all that dedicatee Heinrich Schiff is effortlessly in command of its interpretative challenges.

Whether or not Cerha occupies a niche corresponding to that of Franz Schreker at the beginning of the 20th century (as Hans-Klaus Jungheinrich’s booklet-note seems to imply), his Chamber Symphony (1916) makes an apposite coupling: a work that both reflects the Straussian opulence of his previous operas and anticipates the impressionistic subtlety of those that followed. Peter Eötvös emphasises the latter and throws the ingenious four-movements-in-one format into constructive relief. With its luminous textures alluringly caught by the superb recording, this is now the version to have and the whole disc offers an unfailingly absorbing listen.