Caresana (L') Adoratione de' Maggi
Obscure but engaging cantatas by a Venetian composer in Naples
View record and artist detailsRecord and Artist Details
Composer or Director: Cristofaro Caresana, Pietro Andrea Ziani
Genre:
Vocal
Label: Glossa
Magazine Review Date: 3/2011
Media Format: CD or Download
Media Runtime: 69
Mastering:
Stereo
Catalogue Number: GCD922601

Tracks:
Composition | Artist Credit |
---|---|
(La) Veglia |
Cristofaro Caresana, Composer
(I) Turchini Antonio Florio, Conductor Cristofaro Caresana, Composer |
Demonio, Angelo e tre Pastori |
Cristofaro Caresana, Composer
(I) Turchini Antonio Florio, Conductor Cristofaro Caresana, Composer |
Sonata No 17 |
Pietro Andrea Ziani, Composer
(I) Turchini Antonio Florio, Conductor Pietro Andrea Ziani, Composer |
Sembri stella felice |
Cristofaro Caresana, Composer
(I) Turchini Antonio Florio, Conductor Cristofaro Caresana, Composer |
Sonata No. 15 |
Pietro Andrea Ziani, Composer
(I) Turchini Antonio Florio, Conductor Pietro Andrea Ziani, Composer |
(L')Adoratione de' Maggi |
Cristofaro Caresana, Composer
(I) Turchini Antonio Florio, Conductor Cristofaro Caresana, Composer |
Author: David Vickers
Neapolitan specialists I Turchini and Antonio Florio have contributed substantially to reviving Caresana’s reputation. On this occasion they present four of the composer’s sacred works interleaved by melancholic sonatas by his teacher Ziani. Sembri stella felice, Partenope leggiadra (written for one of the several feast-days of San Gennaro in 1703) is sung with impressive brilliance and feeling by Maria Grazia Schiavo. La Veglia (1674) features robust accompaniments from a percussionist; perhaps Florio wished to reinforce Caresana’s use of dance-forms and lend it a Florentine festive atmosphere, but the most vigorous clattering does not serve the music ideally. However, the musicianship of I Turchini’s string players and singers is beguiling; a beautiful sleep aria (“Dormi o ninno”) is sung eloquently by Giuseppe Naviglio. The short oratorio Demonio, Angelo e tre pastori (1676) is a dramatically engaging argument between five shepherds outside Bethlehem, two of whom happen to be the resentful Lucifer and a serene Angel in disguise. L’Adoratione de’ Maggi (also 1676) colourfully depicts a similar dramatic scene between two happy soprano angels, a complaining bass Devil and three middle-voiced Magi worshipping the infant Christ. This is another fascinating contribution to Florio and I Turchini’s admirable discography of obscure Neapolitan gems.
Discover the world's largest classical music catalogue with Presto Music.

Gramophone Digital Club
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £8.75 / month
Subscribe
Gramophone Full Club
- Print Edition
- Digital Edition
- Digital Archive
- Reviews Database
- Full website access
From £11.00 / month
Subscribe
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.