BRUCH String Quintets and Octet
View record and artist detailsRecord and Artist Details
Composer or Director: Max Bruch
Genre:
Chamber
Label: Hyperion
Magazine Review Date: 05/2017
Media Format: CD or Download
Media Runtime: 62
Mastering:
DDD
Catalogue Number: CDA68168
Tracks:
Composition | Artist Credit |
---|---|
Quintet for Strings (in A) |
Max Bruch, Composer
Max Bruch, Composer Nash Ensemble |
Quintet for Strings (E flat) |
Max Bruch, Composer
Max Bruch, Composer Nash Ensemble |
Octet |
Max Bruch, Composer
Max Bruch, Composer Nash Ensemble |
Author: Richard Bratby
This is a superb account. The Nash Ensemble have a natural feeling for the music’s ebb and flow, and while they’re not afraid of big gestures and the bite of horsehair and rosin, they play beautifully as an ensemble, with the players responding to each other, and a real feeling of intimacy. Lawrence Power’s viola sings through the texture, and Stephanie Gonley, on first violin, never lets the alla ungarese brilliance of the finale turn into a mini-concerto.
They’re helped by Hyperion’s engineers, who’ve made a church acoustic sound as immediate as a drawing room, even in the quasi-orchestral textures of Bruch’s String Octet – which substitutes a double bass for the more usual second cello. The Nash Ensemble go at it with magnificent ardour and sweep, and bring an affecting tenderness to the slightest of Bruch’s late chamber works, the Mendelssohn-like Quintet in E flat. Together, these performances go straight to the top of a not exactly crowded field; in fact, this disc needs to be heard by everyone who loves German Romantic chamber music.
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