Brahms Lieder
In heartbreak or happiness, this distinctive singer is a delight in Brahms
View record and artist detailsRecord and Artist Details
Composer or Director: Johannes Brahms
Genre:
Vocal
Label: Harmonia Mundi
Magazine Review Date: 5/2007
Media Format: CD or Download
Media Runtime: 63
Mastering:
Stereo
DDD
Catalogue Number: HMC90 1926
Tracks:
Composition | Artist Credit |
---|---|
(7) Lieder, Movement: No. 2, Bei dir sind meine Gedanken (wds. Halm) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 1, Wie Melodien zieht es mir (wds. Groth) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 4, Sapphische Ode (wds. Schmidt) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(6) Lieder, Movement: No. 2, Feldeinsamkeit (wds. Allmers) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(6) Lieder, Movement: Nachtigall (wds. Reinhold) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 1, Alte Liebe (wds. Candidus) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 4, Verzagen (wds. Lemcke) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(4) Lieder, Movement: No. 4, An die Nachtigall (wds. Hölty) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 3, Das Mädchen spricht (wds. Gruppe) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(8) Lieder, Movement: No. 8, Dein blaues Auge (wds. Groth) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 3, Geheimnis (wds. Candidus) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 1, Ständchen (wds. Kugler) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(4) Lieder, Movement: No. 1, Von ewiger Liebe (wds. Fallersleben) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(4) Lieder, Movement: Der Tod, das ist die kühle Nacht (wds. Heine) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 4, Auf dem Kirchhofe (wds. Liliencron) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(4) Lieder, Movement: No. 2, Die Mainacht (wds. Hölty) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(6) Lieder, Movement: No. 3, Anklänge (wds. Eichendorff) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(6) Lieder, Movement: Spanische Lied (wds. anon) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(7) Lieder, Movement: No. 6, Mädchenlied (wds. trad) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 1, Am Sonntag Morgen (wds. anon) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(6) Lieder, Movement: No. 1, Liebestreu (wds. Reinick) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder und Romanzen, Movement: Vergebliches Ständchen (wds. trad) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(7) Lieder, Movement: No. 1, Das Mädchen (wds. trad) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(6) Lieder, Movement: No. 1, Therese (wds. Keller) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 5, Mädchenlied (wds. Heyse) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(7) Lieder, Movement: No. 4, Der Jäger (wds. Halm) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 4, Der Schmied (wds. Uhland) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(7) Lieder, Movement: No. 1, Der Gang zum Liebchen (wds. Anon) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 3, Sonntag (wds. Uhland) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(6) Lieder, Movement: No. 3, Mädchenlied (wds. trad) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
(5) Lieder, Movement: No. 4, Wiegenlied (wds. Scherer) |
Johannes Brahms, Composer
Bernarda Fink, Mezzo soprano Johannes Brahms, Composer Roger Vignoles, Piano |
Author: Richard Wigmore
'Bei dir sind meine Gedanken', one of Brahms's happiest songs, makes an inviting aperitif. Buoyed by the evanescent shimmer of Roger Vignoles’s accompaniment, Bernarda Fink is all confiding eagerness, phrasing deftly and gracefully and showing a natural feeling for Brahmsian rubato. I had expected Fink’s warm, luminous mezzo, flecked by darker, deeper tints, to be near ideal for, say, the nostalgia of “Alte Liebe” or the many songs of elegiac loss and heartbreak, all touchingly done here. But having thought of her as an essentially “serious” singer, dignified, eloquent, I was delighted at the vivacity and “face” she brings to “Bei dir sind meine Gedanken” and other lighter songs. “Ständchen”, here more sunlit than moonlit, is charmingly characterised, with an affectionate caress on the dreaming girl’s “Vergiss nicht mein”. Fink is playfully coquettish without archness in the delicious “Spanisches Lied”, and sings “Vergebliches Ständchen” with an outgoing boldness and witty touches of timing – and the tender lingering on the penultimate “Mein Knab” suggests that the boy’s luck may soon be about to change.
Other singers have brought a more intense yearning to “Die Mainacht” and found greater mystery amid the slumberous balm of “Feldeinsamkeit”. But Fink’s flowing performances, sensitively shaped and inflected, are never less than satisfying. It is good to be reminded, too, that, for all its melancholy, “Die Mainacht” is also a song of spring, suffused by warm major-key harmonies, with a hint of excited anticipation at the line “Wann, o lächelndes Bild”. On the face of it, Fink’s lyric mezzo would seem to be on the light side for “Von ewiger Liebe”. But with Vignoles imaginatively “orchestrating” the keyboard part, she gives a finely graded, deeply moving performance, vividly contrasting the contained passion of the boy’s words with the girl’s gentle candour. The glowing climactic avowal of eternal love is as overwhelming as in any of the more opulent-voiced performances I know, setting the seal on a Brahms recital of rare distinction.
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