Bizet Carmen

A new lease of life for a greatly admired filmed opera capturing some convincing performances from its charismatic leads

Record and Artist Details

Composer or Director: Georges Bizet

Genre:

Opera

Label: Erato

Media Format: Digital Versatile Disc

Media Runtime: 149

Mastering:

DDD

Catalogue Number: CDR10530

Tracks:

Composition Artist Credit
Carmen Georges Bizet, Composer
Accurzio di Leo, Guide, Speaker
Faith Esham, Micaëla, Soprano
François Le Roux, Morales, Baritone
French National Orchestra
French Radio Chorus
Georges Bizet, Composer
Gérard Garino, Remendado, Tenor
Jean-Philippe Lafont, Dancaïre, Tenor
John Paul Bogart, Zuniga, Bass
Julia Migenes (Johnson), Carmen, Mezzo soprano
Julien Guiomar, Lillas Pastia, Speaker
Lillian Watson, Frasquita, Soprano
Lorin Maazel, Conductor
Plácido Domingo, Don José, Tenor
Ruggero Raimondi, Escamillo, Baritone
Susan Daniel, Mercedes, Soprano
Bizet had to subdue Carmen’s realism to placate the Opera-Comique’s petit-bourgeois sensibilities. Francesco Rosi reinjects a powerful dose of authentic Spain to create one of the most successful opera films ever – and, as this DVD release brings out, one of the most visually stunning. At its core is a soundtrack performance (using the Oeser edition with rewritten dialogue) which ranks highly even as a CD release (9/85). Maazel’s buoyant lightness and edgy rhythmic energy are suitably Gallic, and his principals are visually and vocally compelling.
Migenes, looking ideally Mediterranean and exotic among Andalusians, was never a natural Carmen, forcing her tangy soprano downwards; but she triumphs over that with a vivid, sultry delivery and wild but unsluttish characterisation which, as was said of Regina Resnik, ‘puts the groin back in Carmen’. Her French is excellent, spoken and sung. Domingo’s is, as usual, terrible, but will do for a ‘Basque espagnol’. Singing even more superbly than for Solti (9/85), he makes a credible figure, initially stiff-necked but bottling up vulnerability and violence. Raimondi’s toreador is rightly less fatuous than usual, suggesting strong feelings beneath the charisma and adroitly balancing the role’s awkward blend of bravura and lyrical chanson. Esham’s Micaela is vocally lean but visually winsome, and other singers, notably Lilian Watson’s Frasquita, are excellent.
Rosi overcomes the weaknesses of lip-sync less by long-shot, as has been suggested, than careful camera angles and deft, musically sensitive cutting. De Santis’s photography meshes gloriously with the rich hues of the score, drawing lyricism from gritty realism – including some grisly bullfight imagery – with real distinction. DVD captures the sound and the hard-edged Spanish sunlight with a clarity which eclipses video versions and even most cinema prints. Strongly recommended.'

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