Beethoven/Haydn/Mozart Lieder
View record and artist detailsRecord and Artist Details
Composer or Director: Joseph Haydn, Ludwig van Beethoven, Wolfgang Amadeus Mozart
Label: Vanguard Classics
Magazine Review Date: 3/2000
Media Format: CD or Download
Media Runtime: 68
Mastering:
DDD
Catalogue Number: 99170
Tracks:
| Composition | Artist Credit |
|---|---|
| Abendempfindung |
Wolfgang Amadeus Mozart, Composer
David Lutz, Piano Robert Holl, Bass Wolfgang Amadeus Mozart, Composer |
| (Eine) Kleine deutsche Kantate, '(Die) ihr des une |
Wolfgang Amadeus Mozart, Composer
David Lutz, Piano Robert Holl, Bass Wolfgang Amadeus Mozart, Composer |
| (12) Lieder für das Clavier, Book II, Movement: Geistliches Lied |
Joseph Haydn, Composer
David Lutz, Piano Joseph Haydn, Composer Robert Holl, Bass |
| (12) Lieder für das Clavier, Book II, Movement: Das Leben ist ein Traum |
Joseph Haydn, Composer
David Lutz, Piano Joseph Haydn, Composer Robert Holl, Bass |
| (12) Lieder für das Clavier, Book II, Movement: Lob der Faulheit |
Joseph Haydn, Composer
David Lutz, Piano Joseph Haydn, Composer Robert Holl, Bass |
| (Ein) kleines Haus |
Joseph Haydn, Composer
David Lutz, Piano Joseph Haydn, Composer Robert Holl, Bass |
| (6) Lieder |
Ludwig van Beethoven, Composer
David Lutz, Piano Ludwig van Beethoven, Composer Robert Holl, Bass |
| (8) Lieder, Movement: No. 4, Maigesang: Mailied (wds. Goethe) |
Ludwig van Beethoven, Composer
David Lutz, Piano Ludwig van Beethoven, Composer Robert Holl, Bass |
| Lied aus der Ferne |
Ludwig van Beethoven, Composer
David Lutz, Piano Ludwig van Beethoven, Composer Robert Holl, Bass |
| Zärtliche Liebe, 'Ich liebe dich' |
Ludwig van Beethoven, Composer
David Lutz, Piano Ludwig van Beethoven, Composer Robert Holl, Bass |
| (3) Lieder, Movement: No. 1, Wonne der Wehmut |
Ludwig van Beethoven, Composer
David Lutz, Piano Ludwig van Beethoven, Composer Robert Holl, Bass |
| An die Hoffnung |
Ludwig van Beethoven, Composer
David Lutz, Piano Ludwig van Beethoven, Composer Robert Holl, Bass |
Author: Richard Wigmore
Robert Holl's grave, imposing bass-baritone is most effectively heard here in the more declamatory and dramatic songs, notably Beethoven's Gellert settings and An die Hoffnung, and Haydn's wryly humorous An die Faulheit. Elsewhere, though, he misses the rapture and abandon of Beethoven's Maiengesang and the ingenuous charm of Haydn's Ein kleines Haus, while Mozart's Abendempfindung, always something of a litmus test, exposes some distinctly lumpy legato. David Lutz is a supportive accompanist.'
Beethoven/Haydn/Mozart Lieder
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