BEETHOVEN Piano Concerto No 5 (Bax)
View record and artist detailsRecord and Artist Details
Composer or Director: Ludwig van Beethoven
Genre:
Orchestral
Label: Signum
Magazine Review Date: 06/2018
Media Format: CD or Download
Media Runtime: 65
Mastering:
DDD
Catalogue Number: SIGCD525
Tracks:
Composition | Artist Credit |
---|---|
Concerto for Piano and Orchestra No. 5, 'Emperor' |
Ludwig van Beethoven, Composer
Alessio Bax, Piano Ludwig van Beethoven, Composer Simon Over, Conductor Southbank Sinfonia |
Sonata for Piano No. 27 |
Ludwig van Beethoven, Composer
Alessio Bax, Piano Ludwig van Beethoven, Composer |
(12) Contredanses |
Ludwig van Beethoven, Composer
Alessio Bax, Piano Ludwig van Beethoven, Composer |
Polonaise |
Ludwig van Beethoven, Composer
Alessio Bax, Piano Ludwig van Beethoven, Composer |
Prelude |
Ludwig van Beethoven, Composer
Alessio Bax, Piano Ludwig van Beethoven, Composer |
Author: Michelle Assay
Despite so many Emperors in the pantheon, there is still room for a new one, as Leif Ove Andsnes’s much-lauded account has shown. Broadly speaking, where Andsnes brought out the power and profundity of understatement, Bax is more on the majestic side, yet without deviating into the occasional exaggeration of Brendel and Rattle. Keeping the architecture tight, Bax provides an immensely solid performance that is not afraid of spelling out the sound and fury, as, for instance, in the opening flourishes, where he rather underlines things compared to Gilels (at least four versions available on various labels), Andsnes and even Brendel, who all favour less detailed, more sweeping waves.
Those who like the slow movement to go in one basic tempo may raise an eyebrow at the initial incongruity between the orchestral proposition and Bax’s drastically slower response. This may well be intentional and soon a middle-ground accommodation is negotiated. Bax’s playing is consummately lyrical. Even so, his expressive moulding and the very forward recording quality make for an overall result that is more immediate than transcendent. The finale sits ideally with his extrovert temperament and his life-affirming energy invites comparison with the best on disc. Fine though the South Bank Sinfonia are, they do not rival the Mahler Chamber Orchestra for personality and colour.
The fillers are a carefully chosen juxtaposition of late-ish and very early Beethoven, enabling Bax to reveal more searching qualities in his tone-colours and characterisation. All in all, this is an impressive disc, which repays repeated listening and can stand comparison with many of the biggest names.
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