Bach in Montecassino

Record and Artist Details

Composer or Director: Johann Sebastian Bach

Genre:

Instrumental

Label: Vivat

Media Format: CD or Download

Media Runtime: 69

Mastering:

DDD

Catalogue Number: VIVAT108

VIVAT108. Bach in Montecassino

Tracks:

Composition Artist Credit
Clavier-Übung III, Movement: Allein Gott in der Höh' sei Ehr', BWV675 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Clavier-Übung III, Movement: Aus tiefer Not, BWV687 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Chorale Preludes, Movement: Jesu meine Freude, BWV753 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Clavier-Übung III, Movement: Vater unser im Himmelreich, BWV683 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Wenn wir höchsten Nöten sein Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Chromatic Fantasia Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
(4) Duets Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Prelude and Fugue Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Fantasia and Fugue Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Choral Preludes from the Kirnberger Collection, Movement: Fantasia: Jesu, meine Freude, BWV713 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Chorale Preludes, Movement: Fuga sopra il Magnificat (Meine Seele erhebt den Herren), BWV733 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Clavier-Übung III, Movement: Fughetta: Wir glauben all'an einen Gott, BWV681 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Clavier-Übung III, Movement: Kyrie, Gott Vater in Ewigkeit, BWV672 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
(Das) Wohltemperierte Klavier, '(The) Well-Tempered Clavier, Movement: C, BWV846 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
(Das) Wohltemperierte Klavier, '(The) Well-Tempered Clavier, Movement: C, BWV870 Johann Sebastian Bach, Composer
Johann Sebastian Bach, Composer
Luca Guglielmi, Organ
Presenting Bach’s organ music in fresh pastures is no easy feat but the programming alchemy here is highly compelling. The first element is an original 1749 organ in Piedmont, mirroring the instrument that graced the Abbey of Montecassino before it was destroyed in 1944. The matching components are the renowned teacher (of Mozart among others), musicologist and arranger Padre Martini, and performer-collector Friedrich Wilhelm Rust, whose family contributed significantly to the first complete edition of the composer’s work, the Bach-Gesellschaft-Ausgabe. Their documented part in disseminating Bach’s music in Italy in the 1760s inspires the content and topography of this most cultivated of recitals.

Luca Gugliemi – not to be confused with another fine Italian Bach organist, Lorenzo Ghielmi – is the critical element in the jigsaw, and not just because he offers a consistently probing clarity in his articulation and colouring, binding these strikingly diverse musical styles. More crucial is how the narrative of the Martini ‘exhibition’ unfolds with such grace and ardour: fascination lies in hearing sources of non-organ works, such as the febrile harpsichord Fantasia chromatica reimagined in the delectable bloom of Chiesa di Nicolao as well as the hauntingly soft-paletted C minor Fantasia, alongside preludes of intimate subtlety and range.

Indeed, Gugliemi’s scope is harnessed to the astutely characterised and moderate scale of the musical works, especially projecting the contemplative within the so-called ‘Organ Mass’, the Clavierübung III of 1739. There are some exceedingly sweet registration changes, none more so than in the ubiquitous Jesu, meine Freude (from the quartet of works just before), at 3'23". Gugliemi captures the imagination throughout while also celebrating those unheralded cognoscenti in the years immediately after Bach’s death, and before post-Mendelssohn venerating. A finely chiselled and innovative project, warmly recommended.

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