Au Sainct nau
View record and artist detailsRecord and Artist Details
Composer or Director: Anonymous, Eustache Du Caurroy, Jean Mouton, Jacques Arcadelt, Claudin de Sermisy, Clément Janequin, Loyset Piéton, Guillaume Costeley, Claude Goudimel
Genre:
Vocal
Label: Alpha
Magazine Review Date: 02/2015
Media Format: CD or Download
Media Runtime: 66
Mastering:
DDD
Catalogue Number: ALPHA198
Tracks:
Composition | Artist Credit |
---|---|
Conditor alme siderum |
Anonymous, Composer
Anonymous, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Conditor le jour de Noel |
Anonymous, Composer
Anonymous, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
O gras tondus |
Anonymous, Composer
Anonymous, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Plaisir n’ay plus que vivre en desconfort |
Anonymous, Composer
Anonymous, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Missa Noe, Noe, Movement: Kyrie |
Jacques Arcadelt, Composer
Dominique Visse Ensemble Clément Janequin Jacques Arcadelt, Composer Trio Musica Humana |
Missa Noe, Noe, Movement: Agnus Dei |
Jacques Arcadelt, Composer
Dominique Visse Ensemble Clément Janequin Jacques Arcadelt, Composer Trio Musica Humana |
Allons gay bergères |
Guillaume Costeley, Composer
Dominique Visse Ensemble Clément Janequin Guillaume Costeley, Composer Trio Musica Humana |
(42) Fantasies, Movement: No 4 sur Conditor alme syderum |
Eustache Du Caurroy, Composer
Dominique Visse Ensemble Clément Janequin Eustache Du Caurroy, Composer Trio Musica Humana |
(42) Fantasies, Movement: No 30 sur Une jeune fillette |
Eustache Du Caurroy, Composer
Dominique Visse Ensemble Clément Janequin Eustache Du Caurroy, Composer Trio Musica Humana |
(42) Fantasies, Movement: No 31 sur Une jeune fillette |
Eustache Du Caurroy, Composer
Dominique Visse Ensemble Clément Janequin Eustache Du Caurroy, Composer Trio Musica Humana |
Une jeune pucelle |
Eustache Du Caurroy, Composer
Dominique Visse Ensemble Clément Janequin Eustache Du Caurroy, Composer Trio Musica Humana |
Esprits divins, chantons dans la nuit sainte |
Claude Goudimel, Composer
Claude Goudimel, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Il estoit une fillette |
Clément Janequin, Composer
Clément Janequin, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Noe, Noe |
Jean Mouton, Composer
Dominique Visse Ensemble Clément Janequin Jean Mouton, Composer Trio Musica Humana |
O beata infantia |
Loyset Piéton, Composer
Dominique Visse Ensemble Clément Janequin Loyset Piéton, Composer Trio Musica Humana |
Au bois de dueil |
Claudin de Sermisy, Composer
Claudin de Sermisy, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Dison Nau à pleine teste |
Claudin de Sermisy, Composer
Claudin de Sermisy, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
L’on sonne une cloche |
Claudin de Sermisy, Composer
Claudin de Sermisy, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Vous perdez temps heretiques infames |
Claudin de Sermisy, Composer
Claudin de Sermisy, Composer Dominique Visse Ensemble Clément Janequin Trio Musica Humana |
Author: Fabrice Fitch
This musical tableau dramatises the different attitudes to Christmas at the mid point of the 16th century. It opens with a seasonal plainsong hymn, solemnly intoned, albeit to a ternary lilt. Immediately there follows a parody set to the same tune, and initially sung in the same way, but before the verse is out the tone has begun to change as the text enumerates the victuals gathered at the festive table and describes their increasingly marked effects on the assembled company, the words slurred, the pitching and rhythm listing more and more. It’s classic Dominique Visse, and it had me laughing aloud. Thereafter, the disc alternates sacred and secular with immaculate poise. The former is beautifully done – the accompaniment on chamber organ is reminiscent of their past work in this register – and the latter delivered as lustily as ever. Harking back to the ensemble’s Protestant psalm project, French chansons have their frankly smutty texts replaced by touching depictions of the Nativity. Towards the conclusion, the tension between Protestants and Catholics bursts out into open hostility in a series of musical pamphlets, in which the two faiths consign each other to the devil with equal venom (and, it must be said, relish).
The ensemble continues to do what it does best but retains a freshness and questing spirit that sometimes eludes groups of comparable vintage, a sense of joyous music-making that marked them out from the start and which they’ve never lost. It was utterly infectious then, and it still is.
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