Here is music for those who delight in intricate and protracted seduction. Astor Piazzolla’s Tangos, brilliantly transcribed from bandoneon to piano by Laercio de Freitas, are hardly for those who believe that brevity is the soul of wit. But their fantasy and luxuriance, magically caught by Arthur Lima, are hard to resist. Purists may steer clear but others, imbued with the spirit of adventure, should try Fugata and Oblivion. And to think that this exotic fiesta was recorded in a church in England (St Philip’s, Norbury).'