This is the third of the Berlin Philharmonic’s solo trumpeter’s discs on Tudor and the most engaging. Tarkövi and Kofler reignite this once-fashionable duo. If such a sound world can tire the ears relatively quickly, both players alight sensitively on a deft balance and a simple, galant elegance which characterise almost all these works.

Despite occasional expressive nonchalance in the last movements, Tarkövi’s effortless legato in the slow music is remarkable for its control and congenial colouring, whether in the measured exoticism of the Vivaldi concerto, a beguiling ‘Ombra mai fù’ or the yet more exquisite Loeillet Sonata. The dexterity of Peter Kofler’s accompaniment and admirable rhythmic sureness enables Tarkövi to stand aloft (literally) with his trademark lyrical poise and restraint.

Only in the Viviani sonata does one feel that an intimate set of 17th-century ‘caprices’ falls between all stools from ‘authentic’ dialogue to Gothic excess. Yet overall this remains a finely conceived programme.