The youthful freshness of Keith John's playing, the clarity and strange beauty of the highly individual organ are all revealed without hindrance on Priory's second CD issue in the Great European Organs series. As an organ demonstration record, for testing the height, depth and middle of your 'fi', it would be hard to beat. The brilliant waywardness of Guillou is much in evidence, in the Vivaldi arrangement as much as in the larky Prokofiev and Stravinsky, in Keith John's own startling composition, in his brilliant but free performances and in the curious harmonic constitution of the organ which Guillou designed. We are in a region where seriously-studied quirkiness transmutes into genius. Whatever, it emerges as a compelling and thrilling experience. Good sound.'