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JS BACH Well-tempered Clavier, Book 2 (Céline Frisch)
With Book 2, Céline Frisch completes her traversal of Bach’s Well-Tempered Clavier, maintaining the stylishly high standards and cultivated musicianship...
Reviewed by Jed Distler in issue: 07/2019
L'aimable. Une journée avec Louis XV (Céline Frisch)
Céline Frisch explores the work of Couperin’s contemporaries and successors in this amusing programme, ‘L’aimable’, constructed around the conceit of...
Reviewed by Philip Kennicott in issue: 08/2022
Bach - Wks for Clavecin
Celine Frisch began with the harpsichord at the age of six, studied in Basle with Andreas Staier and Jesper Christiensen,...
Reviewed by John Duarte in issue: 9/2000
Anglebert Harpsichord Works and Airs after Lully
Café Zimmermann | Céline Frisch | Pablo Valetti
This two-CD set includes performances of both Lully’s original opera orchestra music and Anglebert’s harpsichord transcriptions. To them, Céline Frisch...
Reviewed by mscott rohan in issue: 11/2005
Young & Foolish: Mozart & CPE Bach
Alexander Melnikov | Café Zimmermann | Céline Frisch | Pablo Valetti
A ‘very singular double concerto’ is how Richard Bratby described CPE Bach’s work for two keyboards in an interview in...
Reviewed by David Threasher in issue: 07/2024
RAMEAU Pièces de Clavecin, Volume I
For the first in a three-release series surveying Rameau’s complete keyboard works, Steven Devine plays on a harpsichord copied from...
Reviewed by Jed Distler in issue: 09/2014
The Imaginary Music Book of J.S. Bach
I’ve followed Café Zimmermann with great interest down the years, and this latest addition to their catalogue is no less...
Reviewed by Fabrice Fitch in issue: 01/2022
Vivaldi Flute Sonatas
This recording of seven sonatas, some by Vivaldi, others definitely or probably not, was made in 1991 and was initially...
Reviewed by Nicholas Anderson in issue: 11/1999
Schumann: Piano Works
Excellently recorded as recently as last August, this makes a more consistently positive impression than Maria Joao Pires's LP of...
Reviewed in issue 4/1985
Bach Goldberg Variations
In his review of Rousset’s recording‚ Lionel Salter welcomed it as one that would have entertained Count Keyserling during his...
Reviewed in issue 9/2002
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