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LIEBERSON Songs of Love and Sorrow
Anssi Karttunen | Finnish Radio Symphony Orchestra | Gerald Finley | Hannu Lintu
In the cosmology of Tibetan Buddhism, the six realms – three good and three evil – delineate a life cycle...
Reviewed by Andrew Farach-Colton in issue: 01/2021
Handel (Il) Trionfo e del Disganno
Nothing is known about the occasion, venue and forces for Handel’s first Roman oratorio, Il trionfo del Tempo e del...
Reviewed by David Vickers in issue: 5/2011
JS BACH Sonatas and Partitas for Solo Violin
Alarm bells always start to ring when the cover of a performance of solo Bach gives the disc a moniker...
Reviewed by Caroline Gill in issue: 06/2016
WAGNER Rienzi
‘Only the very wise can so clearly perceive the very obvious’ was one thought when the 81 year-old stage director...
Reviewed by Mike Ashman in issue: 11/2013
Liza Ferschtman; Tamsin Waley-Cohen Recitals
Liza Ferschtman | Tamsin Waley-Cohen
These two recitals have the Bartók Sonata as an important constituent but their focus is quite different. With Liza Ferschtman...
Reviewed by Duncan Druce in issue: 07/2015
BEETHOVEN Symphony No 8. Violin Concerto
No sooner had I filed my review of Thomas Gould’s Riga version of the Beethoven Violin Concerto (see below) than...
Reviewed by Andrew Achenbach in issue: 07/2015
Vale: New Music for Flute
Cora Schmeiser | Distractfold Ensemble | Evan Johnson
Forget new complexity: some of the music on flautist Richard Craig’s second Métier disc might simply be called post-everything. When...
Reviewed by Liam Cagney in issue: AW17
SCHREKER Der ferne Klang (Weigle)
This recording of Schreker’s second opera, Der ferne Klang, derives from live performances in Frankfurt, the city where the work...
Reviewed by Christian Hoskins in issue: 07/2021
Emily D'Angelo: Enargeia
Whisper it quietly for now, but Emily D’Angelo is already well on the way to becoming the complete singer. Her...
Reviewed by Pwyll ap Siôn in issue: 11/2021
OCKEGHEM Les Chansons (Cut Circle)
This is pathbreaking. Certainly Cut Circle are not the first to sing late 15th-century songs without instrumental participation. The Orlando...
Reviewed by David Fallows in issue: 01/2021
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