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Zemlinsky Lyric Symphony
Bohumil Gregor | Czech Philharmonic Orchestra | Iván Kusnjer | Karan Armstrong
Comparing the first few vocal phrases in these two performances, I began to suspect that, for once, Fischer-Dieskau would not...
Reviewed by Arnold Whittall in issue: 10/1991
From the Ground Up: The Chaconne
Hugo Ticciati clearly delights in the elusive. His biography, unlike those of his colleagues, does not mention a single orchestra...
Reviewed by Mark Seow in issue: 07/2019
Schubert Winterreise
When Robert Holl sang Winterreise with Schiff at the piano in London's Wigmore Hall last year Bernard Levin wrote in...
Reviewed by Alan Blyth in issue: 8/1989
SCHUBERT '21 Songs' (Alice Coote)
The challenge of any Schubert recital is translating all that is implied by his miniature masterworks into a keyhole view...
Reviewed by David Patrick Stearns in issue: 07/2022
Frank Martin Orchestral Works
No quarrels with these performances, which are lively and expert enough even if the strings are a little wanting in...
Reviewed by Robert Layton in issue: 3/1994
Golden Ring Documentary
One of the classic music documentaries comes to DVD – classic‚ both in itself and in its subject. Alec Robertson in...
Reviewed in issue 9/2002
BEETHOVEN Piano Sonatas Volume 2
Here is an antidote to the identikit Beethoven, to sonatas (and even cycles) recorded merely because an artist will sell....
Reviewed by Harriet Smith in issue: AW/2012
Schoeck Notturno
Christian Gerhaher | Rosamunde Quartet
Notturno is described not as a song-cycle but as “Five movements for string quartet and voice”. All but one of...
Reviewed by kYlzrO1BaC7A in issue: 0/0
Schubert Die Verschworenen, D787
The Viennese dramatist, Ignaz Castelli, wrote Die Verschworenen (“The Conspirators”) as a riposte to complaints that there were no good...
Reviewed in issue 2/1997
Offenbach Les Contes d'Hoffmann
If there is one thing certain about a comparative review of Les contes d'Hoffmann, it must be that it will...
Reviewed by Andrew Lamb in issue: 12/1989
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