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Schubert Complete Lieder, Vol.10
First I must eat a few words. In reviewing the last disc in this series (Arleen Auger in January) I...
Reviewed by Alan Blyth in issue: 5/1991
Schubert Lieder
Geoffrey Parsons | Gerald Moore | Janet Baker
When the major part of this issue, the first 25 songs, appeared in 1971 under the title “A Schubert Evening”,...
Reviewed by Alan Blyth in issue: 10/1996
Haydn Complete Symphonies (The)
It was little short of tragic that the very last box of symphonies in Adám Fischer’s Haydn series for Nimbus‚...
Reviewed in issue 8/2002
Schubert Lieder
Aribert Reimann | Brigitte Fassbaender
My notes on this marvellous issue are littered with amazed adjectives. Fassbaender's daring, all-in style precisely matched, indeed encouraged by...
Reviewed by Alan Blyth in issue: 6/1992
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Sallinen: Orchestral & Instrumental Works
Arto Noras | Finlandia Sinfonietta | Helsinki Philharmonic Orchestra | Okko Kamu
It is only three years since Sallinen's Fourth Symphony appeared from Finlandia. That disc also included Shadows ( FACD346, 6/86),...
Reviewed by Robert Layton in issue: 10/1989
SAARIAHO Only the Sound Remains
André De Ridder | Davóne Tines | Dutch National Opera Chorus | Philippe Jaroussky
One part of the booklet describes Kaija Saariaho’s Only the Sound Remains as ‘two Noh plays’ and another ‘two short...
Reviewed by Andrew Mellor in issue: 01/2018
Mendelssohn Lieder
The sleeve-note tells us that the songs chosen by Eva Csapo for what is her record debut as a Lieder...
Reviewed by Joan Chissell in issue: 7/1986
Mendelssohn Piano Trios
It seems to be the year for Mendelssohn trios: the fine Florestan recording set the level, followed by the recent...
Reviewed by Harriet Smith in issue: 11/2006
Beethoven: Lieder recital
Ian Partridge | Richard Burnett
Now that Ian Partridge's nicely balanced Beethoven selection in the Finchcocks series is available on CD, the main reason for...
Reviewed by hfinch in issue: 6/1986
Beethoven Piano Concertos Nos 3 & 5
Elegant, fine-toned and patrician, Benno Moiseiwitsch epitomises great musicianship of the past. Yet he was always personal and often impish,...
Reviewed by Bryce Morrison in issue: 1/2005
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