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BROWN Iconicities
(The) William Winant Percussion Group | Chris Brown | William Winant
‘Where Stupa introduces polytemporality in the metaphysical and chronological sense, with all their playful capacity for harmony, Gangsa addresses the...
Reviewed in issue
TEMPLE Behind the Wallpaper
Julia Holter | Spektral Quartet
The Spektral Quartet kept audiences on the edge of their seats in a vast repertoire from 2010 until last year,...
Reviewed by Donald Rosenberg in issue: 05/2023
Mahler Symphony No 1
Berlin Philharmonic Orchestra | Claudio Abbado
It is now more that a year since I exhausted most of my superlatives on a review of Bernstein's Concertgebouw...
Reviewed by Edward Seckerson in issue: 10/1991
WAGNER Lohengrin
This is a rather special Lohengrin. Even if you dislike what you see, what you hear is imposing evidence of...
Reviewed by Arnold Whittall in issue: 10/2012
BEETHOVEN Piano Sonata No 32 LISZT Années de pèlerinage No 1
This recording combines two live performances by Till Fellner: the Swiss Année in the Great Hall of the Vienna Musikverein...
Reviewed by Patrick Rucker in issue: 01/2019
RICHTER Voices
Troubled times often prompt creative responses that bring out the human qualities lying within us – tolerance, compassion, dignity and...
Reviewed by Pwyll ap Siôn in issue: 09/2020
Presteigne Premieres: New Music for String Orchestra
If not the highest-profile conductor of his generation, George Vass has an enviable record in commissioning and premiering music by...
Reviewed by Richard Whitehouse in issue: 10/2021
Soave e virtuoso
Alexis Kossenko | Les Ambassadeurs
One would be hard-pressed to find a flautist whose music-making is as broad as Alexis Kossenko’s. Active on both modern...
Reviewed by Charlotte Gardner in issue: 12/2017
Brahms German Requiem
The most comforting of Requiems has here the most genial of performances. To take the soloists as a first example:...
Reviewed in issue 5/1993
Mozart Piano Concertos 17 & 21
The three new CDs sound well. The DG and the Philips offer exceptional ranges of orchestral colour and perhaps on...
Reviewed by Stephen Plaistow in issue: 12/1985
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