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Virtuoso Clarinet
Hot on the heels of Martin Fröst’s disc of clarinet showpieces (BIS, 11/10) comes this offering from Michael Collins. The...
Reviewed by Edward Greenfield in issue: 12/2010
Voyage en Russie
Time was when the French, with their love of understatement, stylistic elegance and clarity, looked askance at the Russian repertoire,...
Reviewed by Bryce Morrison in issue: 10/2012
Popular Works for Piano & Orchestra
Cristina Ortiz | Moshe Atzmon | Royal Philharmonic Orchestra
The CD version of this strikes me as a very great improvement, its sound at once closer, clearer and brighter...
Reviewed by Joan Chissell in issue: 5/1986
Conrad Tao: Voyages
‘Conrad Tao has already accomplished more than most musicians do in a lifetime,’ proclaims EMI’s website. To demonstrate Tao’s eclectic...
Reviewed by Harriet Smith in issue: 08/2013
Popular Works for Piano & Orchestra
Cristina Ortiz | Moshe Atzmon | Royal Philharmonic Orchestra
Re-emerging with Moshe Atzmon, her collaborator in Mendelssohn's five mature works for piano and orchestra (Pantheon—not submitted for review), Cristina...
Reviewed by Joan Chissell in issue: 5/1986
Rachmaninov Aleko
Aleko is the first of Rachmaninov’s three short operas and the most formulaic in its layout – hardly surprising, given...
Reviewed by David Fanning in issue: 5/2010
Marjukka Tepponen : Airs chantés
Ilmari Räikkönen | Marjukka Tepponen
The Finnish soprano Marjukka Tepponen has a rich vocal quality, a sensitivity and a passionate soul that suit her well...
Reviewed by Geoffrey Norris in issue: 12/2013
Maxim Vengerov
This mixture of fireworks and sweetmeats perfectly suits the showmanship of Maxim Vengerov. Though there are many favourites included on...
Reviewed by Edward Greenfield in issue: 2/2005
LÓPEZ BELLIDO Symphonic Canvas
Fort Worth Symphony Orchestra | Miguel Harth-Bedoya
In his detailed booklet note, Jimmy López Bellido writes that the First Symphony (2016) was commissioned as part of the...
Reviewed by Andrew Farach-Colton in issue: 12/2019
LISZT Symphonic Scenes
It could be argued that performances of the first and best known of Liszt’s Mephisto Waltzes by itself are missing...
Reviewed by Patrick Rucker in issue: 02/2016
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