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MASSENET Don Quichotte
Don Quichotte was the fourth opera commissioned from Massenet by Raoul Gunsbourg, director of the Monte Carlo Opéra. The title-role...
Reviewed by Richard Lawrence in issue: 05/2012
MOZART Requiem
Here is a curious beast. The event was the anniversary (in 2010) of the death of Chopin (in 1849). Chopin’s...
Reviewed by David Threasher in issue: 12/2012
EICHBERG Symphonies Nos 1 & 2
Christoph Poppen | Danish National Symphony Orchestra
Søren Nils Eichberg is composer-in-residence with the Danish National Symphony Orchestra, the first to hold the post. That he is...
Reviewed by David Fanning in issue: 10/2013
KORNGOLD Die Tote Stadt
The sheer orchestral seductiveness – or (according to taste) wearying-ness – of Korngold’s opera must be hard to match on...
Reviewed by Mike Ashman in issue: 01/2014
BLACKBURN Ghostly Psalms. Duluth Harbor Serenade
Everyone likes a composer with an unusual back story, and Philip Blackburn’s is more unusual than most. Born in Cambridge...
Reviewed by Philip Clark in issue: 08/2012
MCLEOD Moments in TIme
A perennial ‘dark horse’ among contemporary composers, Aberdeen-born John McLeod goes into his ninth decade with his profile arguably at...
Reviewed by Richard Whitehouse in issue: 08/2015
KARAINDROU Medea
Eleni Karaindrou (b1941) is best known for her cinema scores, especially to Theo Angelopoulos’s films (5/99, 12/04, 6/09). The 17...
Reviewed by Guy Rickards in issue: 05/2014
Après la Nuit…
Philippe Schartz is renowned for his radiant tone, bright and decisive yet never uncompromising. Such are the requirements for the...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2012
ADÈS Arcadiana. Piano Quintet. The Four Quarters
Dimitri Vassilakis | Doelen Quartet
Adès’s first string quartet, Arcadiana (1994), was premiered a year before Powder Her Face. That this is its sixth recording...
Reviewed by Liam Cagney in issue: 03/2018
Bach Without Words: Instrumental movements and arrangements from Cantatas
On the face of it, this is turkey-carving or eggnog-making Bach: an album of instrumental contrafacta, if that isn’t a...
Reviewed by Peter Quantrill in issue: 02/2017
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