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Review of Mozart: Die Entführung, etc

Mozart: Die Entführung, etc

André Jouve | Antonio di Ninno | Beecham Choral Society | Birgit Calm | Champs-Élysées Orchestra, Paris | Cynthia Buchan | Dawn Upshaw | Diane Kesling | Ernesto Gavazzi | Francesca Franci

Références

Beecham made all too few recordings of Mozart operas, so this CD reissue, in spite of a number of drawbacks,...

Reviewed by Alan Blyth in issue: 3/1991

Review of RAMEAU Castor & Pollux

RAMEAU Castor & Pollux

Anna Fraser | Antony Walker | Cantillation | Celeste Lazarenko | Hadleigh Adams | Jeffrey Thompson | Margaret Plummer | Mark Donnelly | Orchestra of the Antipodes | Pascal Herington

Pinchgut Opera

We’re fortunate to have recordings of both the original 1737 version of Rameau’s opera Castor et Pollux (with prologue) and...

Reviewed by Julie Anne Sadie in issue: 06/2014

Review of Movements: Schumann, Ravel, Stravinsky (George Li)

Movements: Schumann, Ravel, Stravinsky (George Li)

George Li

Warner Classics

Since his silver medal at the 2015 Tchaikovsky Competition, the American pianist George Li, who turns 29 this summer, has...

Reviewed by Patrick Rucker in issue: 08/2024

Review of Poulenc Liberté

Poulenc Liberté

Carl Høgset | Christophe Laporte | Cyrille Gerstenhaber | Freddy Eichelberger | Grex Vocalis | Hervé Lamy | Jean-Christophe Frisch | Laurent Grauer | XVIII-21 Musique des Lumières

Les Chemins du Baroque

Benedetto Marcello's Estro poetico-armonico was published in Venice in the mid-1720s and contains cantata-like settings of the first 50 Psalms...

Reviewed by Nicholas Anderson in issue: 2/2000

Review of James Dillon 2-Chamber Music

James Dillon 2-Chamber Music

Armand Angster | Bernhard Wambach | Cécile Daroux | Claire Gentilhomme | Françoise Kubler | Guy Frisch | Jean-Paul Celea | René Bellier

Montaigne

The earliest work on this disc, Crossing over for clarinet (1978), already displays the essence of that highly personal blend...

Reviewed by Arnold Whittall in issue: 2/1996

Review of BACH The Well-Tempered Clavier Book 1 (Trevor Pinnock)

BACH The Well-Tempered Clavier Book 1 (Trevor Pinnock)

Trevor Pinnock

Deutsche Grammophon

Because Trevor Pinnock’s solo harpsichord forays are few and far between these days, it’s easy to forget just what a...

Reviewed by Jed Distler in issue: 08/2020

Review of MOZART Die Entführung aus dem Serail

MOZART Die Entführung aus dem Serail

Akademie für Alte Musik Berlin | Berlin RIAS Chamber Choir | Cornelius Obonya | Dimitry Ivashchenko | Julian Prégardien | Mari Eriksmoen | Maximilian Schmitt | René Jacobs | Robin Johannsen

Harmonia Mundi

Hard on the heels of Yannick Nézet-Séguin’s DG recording of Mozart’s Ottoman Singspiel (DG, 8/15) comes this radical version from...

Reviewed by Tim Ashley in issue: 10/2015

Review of MOZART Die Entführung aus dem Serail

MOZART Die Entführung aus dem Serail

Brenden Gunnell | Edgaras Montvidas | Franck Saurel | Glyndebourne Chorus | Jonas Cradock | Mari Eriksmoen | Orchestra of the Age of Enlightenment | Robin Ticciati | Sally Matthews | Tobias Kehrer

Opus Arte

This is such an enjoyable production of Mozart’s Turkish opera that it seems churlish to draw attention to its defects....

Reviewed by Richard Lawrence in issue: 08/2016

Review of Rameau Castor et Pollux

Rameau Castor et Pollux

Brigitte Vinson | Christophe Einhorn | Claudine Le Coz | Cyrille Gerstenhaber | Jean-Christophe Frisch | Jérôme Corréas | Philippe Cantor | Sandrine Rondot | Serge Goubioud | XVIII-21, Musique des Lumières

Astrée

William Christie’s recording of this opera was of Rameau’s original version, which in 1737 met with a somewhat muted reception...

Reviewed by Lionel Salter in issue: 7/1998

Review of Couperin (3) Leçons de Ténèbres; Lalande Psalm 50

Couperin (3) Leçons de Ténèbres; Lalande Psalm 50

(Le) Parlement de Musique | Jean-Christophe Frisch | Kirsten Blase | Martin Gester | Salomé Haller | XVIII-21 Musique des Lumières

Assai

This isn’t quite the usual season for leçons de ténèbres, but here we have two versions of Couperin’s surviving settings,...

Reviewed by Stanley Sadie in issue: 13/2003

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