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Schubert (Die) Schöne Müllerin
Ian Bostridge | Mitsuko Uchida
For most singers of Die schöne Müllerin, the progress from the firm step of the opening song to the final...
Reviewed by John Warrack in issue: 5/2005
Schubert Piano Trios
Lynn Harrell | Pinchas Zukerman | Vladimir Ashkenazy
The Schubert year is producing some high-class recordings of the piano trios. Coming to this shortly after La Gaia Scienza’s...
Reviewed by DuncanDruce in issue: 12/1997
Schubert Impromptus
With contenders like Lupu, Perahia and Brendel around, only a foolhardy critic would presume to pick out any one version...
Reviewed by Joan Chissell in issue: 10/1989
Mendelssohn Symphony No 3; Schubert Symphony No 8
Petko Dimitrov | Sofia New Symphony Orchestra
The members of the New Symphony Orchestra, drawn from the Sofia Radio Orchestra, are a comparatively young ensemble founded in...
Reviewed by Ivan March in issue: 6/2003
Schubert & Schumann: Chamber Works
Richard Goode | Richard Stoltzman
When planning this record, I wonder what streak of perversity prompted Richard Stoltzman to include only one work originally designed...
Reviewed by Joan Chissell in issue: 9/1989
Schubert Violin Sonatinas
Gidon Kremer | Oleg Maisenberg
The front cover of the booklet here refers to these works as sonatinas, while the notes and back cover have...
Reviewed by Christopher Headington in issue: 4/1993
Schubert: Lieder
Another hearing of this recital confirms any opinions expressed in October: the more reflective songs receive the more idiomatic performances...
Reviewed by Alan Blyth in issue: 10/1985
Barraqué Complete Works 1950-68
The music of Jean Barraque (1928-73), a self-confessed romantic who sought to emulate the expressive scope of Beethoven through an...
Reviewed by kYlzrO1BaC7A in issue: 9/1998
Wagner Parsifal
This is not merely one of Philips’s Great Recordings but also one of the greatest sets of all time. Every...
Reviewed in issue 8/2001
Walton Troilus and Cressida (highlights)
If Walton's sense of humour was firmly established from the start in Facade, his one-acter, The Bear, among his later...
Reviewed by Edward Greenfield in issue: 1/1994
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