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Roderick Williams: Schubert Lieder
Iain Burnside | Roderick Williams
This disc might start with a bang, Iain Burnside welcoming us on board with a firm jolt at the start...
Reviewed by Hugo Shirley in issue: AW16
SCHUBERT Fantasie and other Piano Duets
Alexander Melnikov | Andreas Staier
Bringing together two of the most individual pianistic brains around, giving them a copy of a Graf fortepiano and putting...
Reviewed by Harriet Smith in issue: 07/2017
SCHUBERT String Quartets Nos 13-15
Go straight to D810, Death and the Maiden. The two opening fortissimo motifs are like clarion calls. The Artemis Quartet...
Reviewed by Nalen Anthoni in issue: 09/2012
Still Schubert
Albane Carrère | Quatuor Alfama
The Brussels-based Alfama Quartet – a new name to me – give an impressive performance of Death and the Maiden,...
Reviewed by Richard Wigmore in issue: 08/2019
SCHUBERT Die schöne Müllerin (Williams & Burnside)
Iain Burnside | Roderick Williams
After giving us Winter Journey last year (Signum, 5/18), Roderick Williams now turns to Schubert’s great song-cycles in their original...
Reviewed by Hugo Shirley in issue: 08/2019
SCHUBERT Piano Sonatas (William Youn)
William Youn first made an impression on me with his Mozart sonatas for Oehms; and in 2018 I much enjoyed...
Reviewed by Harriet Smith in issue: AW20
SCHUBERT Trio Opus 100. Sonatensatz. Notturno (Busch Trio)
I didn’t expect to begin this review with the single-movement Sonatensatz – and it’s true, you’re not likely to buy...
Reviewed by Richard Bratby in issue: 12/2020
SCHUBERT Schwanengesang. String Quintet
These days you can never predict how performers are going to present Schubert’s posthumously published non-cycle. What we get here...
Reviewed by Richard Wigmore in issue: 12/2021
Schubert - Complete Piano Duets, Volume 4
Anthony Goldstone | Caroline Clemmow
Goldstone and Clemmow are as lively and engaging as in previous volumes. They make an especially strong case for the...
Reviewed by Tim Parry in issue: 12/1999
Schubert Impromptus
I doubt whether this is going to join my three or four preferred recordings of all time of these pieces...
Reviewed by Stephen Plaistow in issue: 5/1997
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