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Kodály Orchestral Works
BBC Philharmonic Orchestra | Yan Pascal Tortelier
The obvious question here, given the close relationship between Bartok and Kodaly, is how the two composers’ Concertos for Orchestra...
Reviewed by Rob Cowan in issue: 8/2000
Bach Das Wohltempirte Klavier, Book 2
If, as I do, you enjoy Bach's 48 Preludes and Fugues played on a variety of keyboard instruments, then Keith...
Reviewed by Nicholas Anderson in issue: 9/1991
Schumann Lieder
How interesting to compare, in Dichterliebe, Blochwitz with the newly reissued Wunderlich on DG. Although the younger tenor claims to...
Reviewed by Alan Blyth in issue: 12/1990
HENZE Das Floß der Medusa (The Raft of the Medusa)
This beautifully prepared recording issues the most compelling if belated of invitations to consider afresh a seminal work of the...
Reviewed by Peter Quantrill in issue: 01/2020
Stéphane Degout: Epic
Simon Lepper | Stéphane Degout
Though never just another pretty baritone voice, Stéphane Degout takes his dramatic sensibility to a new level in this ‘Lieder...
Reviewed by David Patrick Stearns in issue: 05/2020
Schumann Lieder
Christoph Eschenbach | Peter Schreier
Here is another important issue to confirm Peter Schreier as king among Lieder interpreters today. It seems that he is...
Reviewed by Alan Blyth in issue: 6/1991
Lieder: Berg, Schumann, Wolf, Shostakovich, Brahms (Matthias Goerne)
The transience of human existence is the leitmotif of Matthias Goerne’s latest recital, charting a journey from sleep and oblivion...
Reviewed by Richard Wigmore in issue: 10/2022
Barbara Hannigan: Sehnsucht - Berg & Mahler
Barbara Hannigan | Camerata RCO | Rolf Verbeek
Has anyone else directed Mahler’s Fourth Symphony while singing the finale from the podium? Surely not … but the present...
Reviewed by David Gutman in issue: 12/2022
Jonas Frølund: Solo Alone and More
Here’s a novelty: an album of solo clarinet works, written – or arranged – for a variety of instruments and...
Reviewed by Mark Pullinger in issue: 10/2023
BORGSTRØM Fiskeren (Boye Hansen)
I’m all for full-scale operas that clock in under 90 minutes. And that’s far from the only good thing about...
Reviewed by Andrew Mellor in issue: 03/2024
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