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Schubert Piano Trio, D898; Notturno
This provides a most welcome sequel to La Gaia Scienza’s splendid account of the E flat Schubert Trio (Winter &...
Reviewed by DuncanDruce in issue: 11/1998
SCHUBERT Winterreise
Though Schubert’s great song-cycle has had its day with period instruments, this recording has some differences that allow it to...
Reviewed by David Patrick Stearns in issue: 09/2014
SCHUBERT Piano Sonatas
This recital is all about contrasts: at its centre, that most unpianistic of pieces – the Wanderer Fantasy – bookended...
Reviewed by Harriet Smith in issue: 12/2014
SCHUBERT String Quartets – No 13, ‘Rosamunde’, D804; No 14, ‘Death and the Maiden’, D810
Schubert’s Rosamunde and Death and the Maiden create one of the starkest pairings of string quartets, displaying startling contrasts and...
Reviewed by Caroline Gill in issue: 10/2012
SCHUBERT Symphonies Nos 3 & 7
Antonello Manacorda | Potsdam Chamber Academy
If you like your early Schubert lean of tone and impetuous of spirit, you should enjoy the Potsdam Kammerakademie in...
Reviewed by Richard Wigmore in issue: 10/2012
SCHUBERT String Quintet
Another month, another Schubert C major Quintet. For any new version to make its mark it has to be pretty...
Reviewed by Harriet Smith in issue: 04/2014
SCHUBERT Piano Trios - D28; D898; D929
There’s a real sense of discovery about the playing of Trio Jean Paul – no mean feat given that this...
Reviewed by Harriet Smith in issue: 07/2012
SCHUBERT String Quintet D956. String Quartet D703
Cypress String Quartet | Gary Hoffman
Myriad moods, immoderate demands and ‘unplumbed melancholy underlying even his brightest and most vivacious moments’ (WJ Turner’s description of Mozart...
Reviewed by Nalen Anthoni in issue: 07/2014
Schubert Complete Lieder, Vol. 7
Once again the Hyperion Schubert Edition has literally surpassed itself. Elly Ameling, whose Schubert singing on disc over the years...
Reviewed by Alan Blyth in issue: 8/1990
Gidon Kremer/Edition Lockenhaus, Vol. 3
I wonder if any reviewer will be able to resist quoting from Valery Afanassiev's own sleevenote. Not I. After a...
Reviewed in issue 12/1986
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