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BERG Lyric Suite SCHUBERT String Quartet No 14 (Novus Quartet)
Any misapprehensions of Biedermeier gentility are banished by bracingly antiseptic octaves and fifths to open this Death and the Maiden,...
Reviewed by Peter Quantrill in issue: 04/2019
SCHUBERT Symphonies Nos 1, 3 & 4
Philippe Herreweghe | Royal Flemish Philharmonic Orchestra
Philippe Herreweghe’s previous excursions on disc with Schubert’s symphonies were the Ninth in 2011 and the Sixth and Eighth in...
Reviewed by David Threasher in issue: 02/2016
SCHUBERT 8 Impromptus
The sensitivity, tonal refinement and occasional micromanagement typifying Amir Katz’s Chopin Nocturnes, Ballades and Impromptus (Oehms) and Mendelssohn Songs Without...
Reviewed by Jed Distler in issue: 03/2016
Benjamin Appl: SCHUBERT Lieder
Benjamin Appl | Graham Johnson
Just a couple of months ago, Richard Fairman welcomed Benjamin Appl’s first fully fledged recital disc, a collection of Heine...
Reviewed by Hugo Shirley in issue: 07/2016
SCHUBERT Trout Quintet
Béatrice Muthelet | Delphine Bardin | Orphélie Gaillard | Stéphane Logerot | Yossif Ivanov
This is the kind of disc a reviewer dreads. Why, you might ask? Is it so terrible? Far from it,...
Reviewed by Harriet Smith in issue: 01/2015
Dessay Sings Schubert
Having admired Natalie Dessay in operatic repertoire ranging from Handel to Massenet and Strauss, I’m sorry not to be more...
Reviewed by Richard Wigmore in issue: 06/2017
SCHUBERT 'Ins stille Land' (Signum Quartett)
A couple of years ago the Gramophone Awards adopted a category for ‘Concept Album’ – ‘one designed to be heard...
Reviewed by Richard Bratby in issue: 01/2021
Schubert String Quartet No 15, D887
Paul Robertson, in his extended and extremely interesting notes, suggests that such a monumental, complex work as Schubert’s last string...
Reviewed by DuncanDruce in issue: 11/2002
Schubert Orchestrations by Berio & Joachim
Christoph Eschenbach | Houston Symphony Orchestra
Berio’s Rendering (1989) is a 35-minute orchestral work in which the composer enters into an extended dialogue with the sketches...
Reviewed by Arnold Whittall in issue: 8/1997
Vienna State Opera Live, Vol. 8
Here is further proof that Ilitsch was an astonishing Aida, undertaking the part here some 15 months before her 1942...
Reviewed by Alan Blyth in issue: 4/1995
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