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Dvorák Chamber Works
Borodin Quartet | Igor Oistrakh | Miroslav Rusin | Sviatoslav Richter | Victor Pikaisen
There are two other versions of the Piano Quintet available, by Clifford Curzon with the Vienna Philharmonic Quartet (Decca) and...
Reviewed by John Warrack in issue: 10/1985
Vienna State Opera Live, Vol.22
Volume 22 is a vital issue. It documents Hotter at the height of his powers as a young Heldenbariton in...
Reviewed by Alan Blyth in issue: 5/1996
Richter plays Britten
The live performance of the Piano Concerto dates from May 1967, over three years before Richter’s famous commercial recording with...
Reviewed by Andrew Achenbach in issue: 13/1997
Shostakovich String Quartets/Piano Quintet
Borodin Qt | Borodin Quartet | Sviatoslav Richter
The release of this seven-LP set is timed to coincide with the Borodin Quartet's visit to London this spring when...
Reviewed in issue 3/1986
Mozart Arias
Felicity Lott | Jane Glover | London Mozart Players
The record begins and ends in delight but dissatisfaction creeps in inbetween. Exsultate, jubilate, fine as recorded sound, crisp in...
Reviewed in issue 2/1990
DVOŘÁK Complete Cello Works
Prague Radio Symphony Orchestra | Tomás Jamník | Tomás Netopil
I was particularly grateful to receive this set, principally because it affords me the opportunity of putting to rights...
Reviewed by Rob Cowan in issue: 05/2011
Haydn Symphonies Nos 6, 7 & 8
Promises are unfulfilled; but in neither case is it because of poor intentions. Rather the weaknesses appear to result from...
Reviewed in issue 6/2002
Britten War Requiem
Every recorded performance of Britten’s War Requiem has drawn the best from its interpreters – no wonder, considering the greatness...
Reviewed by Alan Blyth in issue: 6/1998
Mahler Symphony No 2
The great Mahler Resurrection recording – and by that I mean, of course, the proverbial “library” choice – still eludes...
Reviewed by Edward Seckerson in issue: 4/2011
Wolf Mörike-Lieder
Bernhard Renzikowski | Frauke May
Wolf’s masterly settings of Mörike are unique in two respects. They were written in a period of extraordinary inspiration in...
Reviewed by Alan Blyth in issue: 13/2004
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