Puccini: La bohème at Royal Opera, Covent Garden | Live Review
- Friday, December 20, 2024
A terrific Mimì and multi-layered Musetta bring Puccini's love story to life
A terrific Mimì and multi-layered Musetta bring Puccini's love story to life
Yannick Nézet-Séguin leads a captivating revival of Herbert Wernicke's iconic production
Re-released by Decca with bells and whistles, this would make a sumptuous gift
'Every number is considered and he takes care to colour his voice to match the mood, generally with success as he sings across five languages.'
What you lose in true operatic punch is repaid in spades by the most sheerly enjoyable, least boring outpouring of heart-thrilling late romanticism ever penned
Thielemann injected pace and clarity of line into the score – even if he didn’t iron out all its longueurs – and drew tremendous playing from the orchestra
The Versailles production is a masterclass in how historically-informed stagings can succeed
Three 20th Century operas are presented in great style at the London conservatoire
Mike Leigh’s 2015 production gets on with the job, which is no bad thing, but a sense of originality is missing
Ceresa’s over-embellishment of the opera’s extreme elements align with the ambitions of a composer at the height of his powers
Oper Köln’s Nabucco should serve as a reminder of what can be achieved when the full resources of a company are allowed to shine
A stellar cast propels this 2005 revival of Puccini's iconic melodrama
A new production from Rafael R Villalobos brings the audience face-to-face with the character's psychological decline
A breezy, entertaining new production of Strauss's comedy from Axel Ranisch and the Semperoper Dresden
Harry Fehr brings a reading of immense warmth and intimacy to Donizetti's score
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