Puccini: Turandot at Royal Opera House | Live Review
- Thursday, March 20, 2025
No spectacle is left languishing in the director’s theatrical chest
No spectacle is left languishing in the director’s theatrical chest
This production's success lies in its principals, rather than in the direction
Grimes plays to Gothenburg’s strengths as an ensemble company, even if shortcomings here underline what a treacherously difficult piece this remains for non-natives
Laurent Pelly’s production is theatrically joyous and unfailingly penetrating
Stripping away nearly everything that isn’t music turns the strongest focus on singing, and this was uniformly highly impressive
An absolute triumph, all brought together by Ben Woodward’s intimate knowledge of this score
Fantastic chorus work was not always supported by its principal singers in the revival of Adele Thomas's production
The 'Battle of the Normas' continued with Cyril Teste directing at the Staatsoper
The 'rare resurrection of an overlooked crown jewel' lights up ENO's stage for its final new production of the 24/25 season
Downes's book balances accessibility with scholarship, avoiding dense academic discussions and favouring clear explanations
Lucy Caplan's history of Black opera on Harvard University Press is undigestibly academic
It’s an effective staging, simple yet detailed at the same time, and the narrative is clear
Janáček’s fantastically gnarly score didn’t sound complete minus the grit of the Czech language, such an integral part of his music
Calixto Bieito’s production is generally clear and he focuses on the ever-growing power expressed through technology and AI
The dynamic control of the opening chorus would have been worth the price of admission alone
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